THE PREFACE The artist is the creator of beautiful things.To reveal art and conceal the artist is art's aim.The critic is he who can translate into another manner or a new material his impression of beautiful things.The highest, as the lowest, form of criticismis a mode of autobiography.Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault.Those who find beautiful meanings inbeautiful things are the... more...

CHAPTER I. APPEARANCE AND REALITY Is there any knowledge in the world which is so certain that no reasonable man could doubt it? This question, which at first sight might not seem difficult, is really one of the most difficult that can be asked. When we have realized the obstacles in the way of a straightforward and confident answer, we shall be well launched on the study of philosophy—for philosophy is merely the attempt to answer such... more...

PREFACE This book contains two closely related studies of the consciousness of nations. It has been written during the closing months of the war and in the days that have followed, and is completed while the Peace Conference is still in session, holding in the balance, as many believe, the fate of many hopes, and perhaps the whole future of the world. We see focussed there in Paris all the motives that have ever entered into human history and... more...

CHAPTER I.THE BEARING OF THE LAWS OF MIND ON RELIGION. The Science of Religion is one of the branches of general historical science. It embraces, as the domain of its investigation, all recorded facts relating to the displays of the Religious Sentiment. Its limits are defined by those facts, and the legitimate inferences from them. Its aim is to ascertain the constitutive laws of the origin and spread of religions, and to depict the influence... more...

PARIS TRANSLATION, First published in this Country by Dixon and Sickels. INVOCATION. Hail, solitary ruins! holy sepulchres, and silent walls! you I invoke; to you I address my prayer. While your aspect averts, with secret terror, the vulgar regard, it excites in my heart the charm of delicious sentiments—sublime contemplations. What useful lessons! what affecting and profound reflections you suggest to him who knows how to consult you.... more...

PREFACE This little work contains the chief ideas gathered together for a course of lectures on the theory and history of aesthetics given at Harvard College from 1892 to 1895. The only originality I can claim is that which may result from the attempt to put together the scattered commonplaces of criticism into a system, under the inspiration of a naturalistic psychology. I have studied sincerity rather than novelty, and if any subject, as for... more...

Religion THE APOCRYPHA Apocrypha is a Greek word, signifying "secret" or "hidden," but in the sixteenth century it came to be applied to a list of books contained in the Septuagint, or Greek translation of the Old Testament, but not in the Palestinian, or Hebrew Canon. Hence, by theological or bibliographic purists, these books were not regarded as genuine Scripture. That view was adopted by the early Greek Church, though the Western Church... more...

INTRODUCTION * **   he long obscurity of the Dark Ages lifted over Italy, awakening to a national though a divided consciousness. Already two distinct tendencies were apparent. The practical and rational, on the one hand, was soon to be outwardly reflected in the burgher-life of Florence and the Lombard cities, while at Rome it had even then created the civil organization of the curia. The novella was its literary triumph. In art it... more...

PREFACE In the ensuing volume I have attempted to give a defined and permanent form to a variety of thoughts, which have occurred to my mind in the course of thirty-four years, it being so long since I published a volume, entitled, the Enquirer,—thoughts, which, if they have presented themselves to other men, have, at least so far as I am aware, never been given to the public through the medium of the press. During a part of this period I... more...

THE Editor begs to call attention to some of the difficulties he had to encounter in preparing this edition of the complete works of Friedrich Nietzsche. Not being English himself, he had to rely upon the help of collaborators, who were somewhat slow in coming forward. They were also few in number; for, in addition to an exact knowledge of the German language, there was also required sympathy and a certain enthusiasm for the startling ideas of... more...