QUALITY I knew him from the days of my extreme youth, because he made my father's boots; inhabiting with his elder brother two little shops let into one, in a small by-street-now no more, but then most fashionably placed in the West End. That tenement had a certain quiet distinction; there was no sign upon its face that he made for any of the Royal Family—merely his own German name of Gessler Brothers; and in the window a few pairs of... more...

A NOVELIST'S ALLEGORY Once upon a time the Prince of Felicitas had occasion to set forth on a journey. It was a late autumn evening with few pale stars and a moon no larger than the paring of a finger-nail. And as he rode through the purlieus of his city, the white mane of his amber-coloured steed was all that he could clearly see in the dusk of the high streets. His way led through a quarter but little known to him, and he was surprised to find... more...

THE HERO. His name is George, generally speaking. "Call me George!" he says to the heroine. She calls him George (in a very low voice, because she is so young and timid). Then he is happy. The stage hero never has any work to do. He is always hanging about and getting into trouble. His chief aim in life is to be accused of crimes he has never committed, and if he can muddle things up with a corpse in some complicated way so as to get himself... more...

THE MIDWAY INN. 'The hidden but the common thought of all.'   The thoughts I am about to set down are not my thoughts, for, as my friends say, I have given up the practice of thinking, or it may be, as my enemies say, I never had it. They are the thoughts of an acquaintance who thinks for me. I call him an acquaintance, though I pass as much of my time with him as with my nearest and dearest; perhaps at the club, perhaps at the office,... more...

One of the most amusing questions concerning the short story is why a form which is singly so attractive that every one likes to read a short story when he finds it alone is collectively so repellent as it is said to be. Before now I have imagined the case to be somewhat the same as that of a number of pleasant people who are most acceptable as separate householders, but who lose caste and cease to be desirable acquaintances when gathered into a... more...

HOW THEY STRUCK A CONTEMPORARY There is such a thing as robbing a story of its reality by trying to make it too true, and The Black Arrow is so inartistic as not to contain a single anachronism to boast of, while the transformation of Dr. Jekyll reads dangerously like an experiment out of the Lancet.  As for Mr. Rider Haggard, who really has, or had once, the makings of a perfectly magnificent liar, he is now so afraid of being suspected of... more...

ON THE ART OF MAKING UP ONE'S MIND "Now, which would you advise, dear? You see, with the red I shan't be able to wear my magenta hat." "Well then, why not have the grey?" "Yes—yes, I think the grey will be MORE useful." "It's a good material." "Yes, and it's a PRETTY grey. You know what I mean, dear; not a COMMON grey. Of course grey is always an UNINTERESTING colour." "Its quiet." "And then again, what I feel about the red is that... more...

ON A LAZY IDLE BOY. I had occasion to pass a week in the autumn in the little old town of Coire or Chur, in the Grisons, where lies buried that very ancient British king, saint, and martyr, Lucius,* who founded the Church of St. Peter, on Cornhill. Few people note the church now-a-days, and fewer ever heard of the saint. In the cathedral at Chur, his statue appears surrounded by other sainted persons of his family. With tight red breeches, a... more...

MAY-DAY. Art thou beautiful, as of old, O wild, moorland, sylvan, and pastoral Parish! the Paradise in which our spirit dwelt beneath the glorious dawning of life—can it be, beloved world of boyhood, that thou art indeed beautiful as of old? Though round and round thy boundaries in half an hour could fly the flapping dove—though the martens, wheeling to and fro that ivied and wall-flowered ruin of a Castle, central in its own domain,... more...

THE SCIENCE OF HISTORY. A LECTURE DELIVERED BY JAMES ANTHONY FROUDE AT THE ROYAL INSTITUTION FEBRUARY 5, 1864. Ladies and Gentlemen,—I have undertaken to speak to you this evening on what is called the Science of History. I fear it is a dry subject; and there seems, indeed, something incongruous in the very connection of such words as Science and History. It is as if we were to talk of the color of sound, or the longitude of the... more...