I never yet saw that father, but let his son be never so decrepit or deformed, would not, notwithstanding, own him: not, nevertheless, if he were not totally besotted, and blinded with his paternal affection, that he did not well enough discern his defects; but that with all defaults he was still his. Just so, I see better than any other, that all I write here are but the idle reveries of a man that has only nibbled upon the outward crust of... more...

He seems to me to have had a right and true apprehension of the power of custom, who first invented the story of a country-woman who, having accustomed herself to play with and carry a young calf in her arms, and daily continuing to do so as it grew up, obtained this by custom, that, when grown to be a great ox, she was still able to bear it. For, in truth, custom is a violent and treacherous schoolmistress. She, by little and little, slily and... more...

THE CEREMONY OF THE INTERVIEW OF PRINCES There is no subject so frivolous that does not merit a place in this rhapsody. According to our common rule of civility, it would be a notable affront to an equal, and much more to a superior, to fail being at home when he has given you notice he will come to visit you. Nay, Queen Margaret of Navarre—[Marguerite de Valois, authoress of the 'Heptameron']—further adds, that it would be a... more...

CHAPTER I THAT MEN BY VARIOUS WAYS ARRIVE AT THE SAME END. The most usual way of appeasing the indignation of such as we have any way offended, when we see them in possession of the power of revenge, and find that we absolutely lie at their mercy, is by submission, to move them to commiseration and pity; and yet bravery, constancy, and resolution, however quite contrary means, have sometimes served to produce the same effect.—[Florio's... more...

INTRODUCTION No character in our literature, not even Mr. Pickwick, has more endeared himself to successive generations of readers than Addison’s Sir Roger de Coverley: there are many figures in drama and fiction of whom we feel that they are in a way personal friends of our own, that once introduced to us they remain a permanent part of our little world. It is the abiding glory of Dickens, it is one of Shakespeare’s abiding glories,... more...

THE INN OF TRANQUILLITY Under a burning blue sky, among the pine-trees and junipers, the cypresses and olives of that Odyssean coast, we came one afternoon on a pink house bearing the legend: "Osteria di Tranquillita,"; and, partly because of the name, and partly because we did not expect to find a house at all in those goat-haunted groves above the waves, we tarried for contemplation. To the familiar simplicity of that Italian building there... more...

THE COLOUR OF LIFE Red has been praised for its nobility as the colour of life.  But the true colour of life is not red.  Red is the colour of violence, or of life broken open, edited, and published.  Or if red is indeed the colour of life, it is so only on condition that it is not seen.  Once fully visible, red is the colour of life violated, and in the act of betrayal and of waste.  Red is the secret of life, and not... more...

THE MYSTERY OF JUSTICE 1 I speak, for those who do not believe in the existence of a unique, all-powerful, infallible Judge, for ever intent on our thoughts, our feelings and actions, maintaining justice in this world and completing it in the next. And if there be no Judge, what justice is there? None other than that which men have made for themselves by their laws and tribunals, as also in the social relations that no definite judgment... more...

Jonathan Swift was born in 1667, on the 30th of November.  His father was a Jonathan Swift, sixth of the ten sons of the Rev. Thomas Swift, vicar of Goodrich, near Ross, in Herefordshire, who had married Elizabeth Dryden, niece to the poet Dryden’s grandfather.  Jonathan Swift married, at Leicester, Abigail Erick, or Herrick, who was of the family that had given to England Robert Herrick, the poet.  As their eldest brother,... more...

ESSAY I. ON THE PLEASURE OF PAINTING 'There is a pleasure in painting which none but painters know.' In writing, you have to contend with the world; in painting, you have only to carry on a friendly strife with Nature. You sit down to your task, and are happy. From the moment that you take up the pencil, and look Nature in the face, you are at peace with your own heart. No angry passions rise to disturb the silent progress of the work, to shake... more...