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CHAPTER I. AND WHEN LOVE SPEAKS. She was certainly very pretty, and just then she looked prettier than usual, for the sharp run had brought a more vivid colour to the cheek, and an added sparkle to the eye. She was laughing, too—the rogue—as well she might, for had she not brought her right hand swiftly down upon his left ear when he had chased her, caught her, and deliberately and maliciously kissed her, and did he not now look red... more...

CHAPTER I THE RENAISSANCE (1) There are times in every man's experience when some sudden widening of the boundaries of his knowledge, some vision of hitherto untried and unrealized possibilities, has come and seemed to bring with it new life and the inspiration of fresh and splendid endeavour. It may be some great book read for the first time not as a book, but as a revelation; it may be the first realization of the extent and moment of what... more...

CHAPTER I. A PRELIMINARY VIEW. Anglo-Saxon literature is the oldest of the vernacular literatures of modern Europe; and it is a consequence of this that its relations with Latin literature have been the closest. All the vernacular literatures have been influenced by the Latin, but of Anglo-Saxon literature alone can it be said that it has been subjected to no other influence. This literature was nursed by, and gradually rose out of, Latin... more...

Preface Several anthologies of poems by Yorkshiremen, or about Yorkshiremen, have passed through the press since Joseph Ritson published his Yorkshire Garland in 1786. Most of these have included a number of dialect poems, but I believe that the volume which the reader now holds in his hand is the first which is made up entirely of poems written in "broad Yorkshire." In my choice of poems I have been governed entirely by the literary quality and... more...

THE DAWN OF A GALA DAY To begin with the old rigmarole of childhood. In a country there was a shire, and in that shire there was a town, and in that town there was a house, and in that house there was a room, and in that room there was a bed, and in that bed there lay a little girl; wide awake and longing to get up, but not daring to do so for fear of the unseen power in the next room—a certain Betty, whose slumbers must not be disturbed... more...


Chapter One. In Benchers’ Inn. “My darling! Mine at last!” Ting-tang; ting-tang; ting-tang. Malcolm Stratton, F.Z.S., naturalist, a handsome, dark-complexioned man of eight-and-twenty, started and flushed like a girl as he hurriedly thrust the photograph he had been apostrophising into his breast pocket, and ran to the deep, dingy window of his chambers to look at the clock over the old hall of Bencher’s Inn, E.C. It... more...

CHAPTER I.—An Adventure and an Escape. Spirit of George Prince Regent James, Esq., forgive me this commencement! * * I mean no offence whatsoever to this distinguished andmultitudinous writer; but the commencement of this novel reallyresembled that of so many of his that I was anxious to avoid thecharge of imitating him. It was one evening at the close of a September month and a September day that two equestrians might be observed... more...

CHAPTER 1 The sea-wind in his hair, his eyes agleam with the fresh memory of Alpine snows, Will Warburton sprang out of the cab, paid the driver a double fare, flung on to his shoulder a heavy bag and ran up, two steps at a stride, to a flat on the fourth floor of the many-tenanted building hard by Chelsea Bridge. His rat-tat-tat brought to the door a thin yellow face, cautious in espial, through the narrow opening. "Is it you, sir?" "All... more...

Chapter I THE COURAGE OF HUGH WALPOLE i Says his American contemporary, Joseph Hergesheimer, in an appreciation of Hugh Walpole: “Mr. Walpole’s courage in the face of the widest scepticism is nowhere more daring than in The Golden Scarecrow.” Mr. Walpole’s courage, I shall always hold, is nowhere more apparent than in the choice of his birthplace. He was born in the Antipodes. Yes! In that magical, unpronounceable... more...

I THE SCENE The bright pale February sunlight lay on the little court of Beaufort College, Cambridge, on the old dull-red smoke-stained brick, the stone mullions and mouldings, the Hall oriel, the ivied buttresses and battlements, the turrets, the tiled roofs, the quaint chimneys, and the lead-topped cupola over all. Half the court was in shadow. It was incredibly picturesque, but it had somehow the look of a fortress rather than of a house. It... more...