I BEFORE THE WAR The world war represents not the triumph, but the birth of democracy. The true ideal of democracy—the rule of a people by the demos, or group soul—is a thing unrealized. How then is it possible to consider or discuss an architecture of democracy—the shadow of a shade? It is not possible to do so with any degree of finality, but by an intention of consciousness upon this... more...

WOODWARD'SCOUNTRY HOMES. In presenting to the public a new work on Domestic Architecture, it is our aim to furnish practical designs and plans, adapted to the requirements of such as are about to build, or remodel and improve, their Country Homes. The rapid progress in rural improvement and domestic embellishment all over the land, during the last quarter of a century, is evident to the... more...

Worship The worship of Almighty God is one of the characteristic acts of humanity. The brute looks up to heaven, but man alone looks up with thought of God and to adore. "The entire creation grew together to reflect and repeat the glory of God, and yet the echo of God slumbered in the hollow bowels of the dumb earth until there was one who could wake up the shout by a living voice. Man is the first... more...

CHAPTER I. DEFINITION OF GOTHIC ARCHITECTURE; ITS ORIGIN, AND THE DIVISION OF IT INTO STYLES. Q. What is meant by the term “Gothic Architecture”? A. Without entering into the derivation of the word “Gothic,” it may suffice to state that it is an expression sometimes used to denote in one general term, and distinguish from the Antique, those peculiar modes or styles in which most of our... more...

PREFACE This volume is a sequel to the work I published, several years ago, under the title, Byzantine Constantinople: the Walls of the City, and adjoining Historical Sites. In that work the city was viewed, mainly, as the citadel of the Roman Empire in the East, and the bulwark of civilization for more than a thousand years. But the city of Constantine was not only a mighty fortress. It was, moreover,... more...

INTRODUCTION. However much we may admire, considered purely as art, the Pagan temples of the Greeks and Romans, we must confess that they are lacking in those high ideals and those sustained and inspired motives which seem to penetrate and permeate the buildings and churches of the Christian era. Perfect as is Greek art within its somewhat narrow limits, it is, nevertheless, cold, precise and lifeless.... more...

CHAPTER I THE ORIGIN OF THE CHURCH PLAN IN ENGLAND § 1. Side by side with the establishment of Christianity as the religion of the Roman empire, there appeared a fully developed plan for places of Christian worship. The normal Christian church of the fourth century of our era was an aisled building with the entrance at one end, and a semi-circular projection known as the apse at the other. The body of... more...

BEFORE quitting England for a first visit to Spain in the Autumn of 1869, I made up my mind both to see and draw as much of the Architectural remains of that country as the time and means at my disposal would permit; and further determined so to draw as to admit of the publication of my sketches and portions of my notes on the objects represented, in the precise form in which they might be made. I was... more...

INTRODUCTION No one can look at a map of the Iberian Peninsula without being struck by the curious way in which it is unequally divided between two independent countries. Spain occupies by far the larger part of the Peninsula, leaving to Portugal only a narrow strip on the western seaboard some one hundred miles wide and three hundred and forty long. Besides, the two countries are separated the one... more...

Foreword So many books have been published which are devoted wholly or in part to the fine old Colonial residences and public buildings of Philadelphia, including Germantown, that it might seem almost the part of temerity to suppose there could be a place for another one. A survey of the entire list, however, discloses the fact that almost without exception these books are devoted primarily to a... more...