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Showing: 11-14 results of 14

AMONG THE GREATMASTERS OF MUSIC. ST. CECILIA. One of the most ancient legends handed down to us by the early Church is that of St. Cecilia, the patroness of music and musicians. She is known to have been honoured by Christians as far back as the third century, in which she is supposed to have lived. Doubtless much of fancy has been added, in all the ensuing years, to the facts of Cecilia's life and death. Let us, however, take the legend as... more...

THE loves of famous men and women, especially of those connected with literature and the fine arts, have always excited much curiosity. In the majority of cases the poet's and artist's choice of a partner falls on a person who is incapable of comprehending his aims and sometimes even of sympathising with his striving. The question "why poets are so apt to choose their mates, not for any similarity of poetical endowment, but for qualities which... more...

FOREWORD. One day there came into Robert Schumann's ken the work of a young fellow named Brahms, and the master cried aloud in the wilderness, "Behold, the new Messiah of music!" Many have refused to accept Brahms at this rating, and I confess to being one of the unregenerate, but the spirit that kept Schumann's heart open to the appeal of any stranger, that led him into instant enthusiasms of which he was neither afraid nor ashamed, enthusiasms... more...

I. POLAND:—YOUTHFUL IDEALS Gustave Flaubert, pessimist and master of cadenced lyric prose, urged young writers to lead ascetic lives that in their art they might be violent. Chopin's violence was psychic, a travailing and groaning of the spirit; the bright roughness of adventure was missing from his quotidian existence. The tragedy was within. One recalls Maurice Maeterlinck: "Whereas most of our life is passed far from blood, cries and... more...