THE VIOLIN AND EARLY VIOLINISTS. The Ancestry of the Violin.—The Origin of the Cremona School of Violin-Making.—The Amatis and Stradiuarii.—Extraordinary Art Activity of Italy at this Period.—Antonius Stradiuarius and Joseph Guarnerius.—Something about the Lives of the Two Greatest Violin-Makers of the World.—Corelli, the First Great Violinist.—His Contemporaries and Associates.—Anecdotes of his... more...

I PALESTRINA To learn something of the life and labors of Palestrina, one of the earliest as well as one of the greatest musicians, we must go back in the world's history nearly four hundred years. And even then we may not be able to discover all the events of his life as some of the records have been lost. But we have the main facts, and know that Palestrina's name will be revered for all time as the man who strove to make sacred music... more...

PREFACE. When a musical student begins to think of music as a literature and to inquire about individualities of style and musical expression, it is necessary for him to come as soon as possible to the fountainheads of this literature in the works of a few great masters who have set the pace and established the limits for all the rest. In the line of purely instrumental music this has been done by Bach, Haydn, Mozart, Beethoven, Mendelssohn,... more...

My Dear Mr. Beaumont, Seneca has well said, "The three main points in the question of benefits, are, first, a judicious choice in the object; secondly, in the matter of our benevolence; and thirdly, in the manner of expressing it." Of the first, it would not be becoming in me to speak; of the second, you are the rightful judge; of the third, I beg leave thus publicly to state, that not only in requesting permission to publish this lecture at... more...

CHAPTER I RECORDS AND EVENTS Edward MacDowell, the first Celtic voice that has spoken commandingly out of musical art, achieved that priority through natural if not inevitable processes. Both his grandfather and grandmother on his father's side were born in Ireland, of Irish-Scotch parents. To his paternal great-grandfather, Alexander MacDowell, the composer traced the Scottish element in his blood; his paternal great-grandmother, whose maiden... more...

I. POLAND:—YOUTHFUL IDEALS Gustave Flaubert, pessimist and master of cadenced lyric prose, urged young writers to lead ascetic lives that in their art they might be violent. Chopin's violence was psychic, a travailing and groaning of the spirit; the bright roughness of adventure was missing from his quotidian existence. The tragedy was within. One recalls Maurice Maeterlinck: "Whereas most of our life is passed far from blood, cries and... more...

FOREWORD. One day there came into Robert Schumann's ken the work of a young fellow named Brahms, and the master cried aloud in the wilderness, "Behold, the new Messiah of music!" Many have refused to accept Brahms at this rating, and I confess to being one of the unregenerate, but the spirit that kept Schumann's heart open to the appeal of any stranger, that led him into instant enthusiasms of which he was neither afraid nor ashamed, enthusiasms... more...

It is perhaps fitting that the series of volumes comprising The Musician's Bookshelf should be inaugurated by the present collection of essays. To the majority of English readers the name of that strange and forceful personality, Romain Rolland, is known only through his magnificent, intimate record of an artist's life and aspirations, embracing ten volumes, Jean-Christophe. This is not the place in which to discuss that masterpiece. A few... more...

A DESCRIPTION OF MUSIC. "In the storm, in the smoke, in the fight, I comeTo help thee, dear, with my fife and my drum.My name is Music: and, when the bellRings for the dead men, I rule the knell;And, whenever the mariner wrecked through the blastHears the fog-bell sound, it was I who passed.The poet hath told you how I, a young maid,Came fresh from the gods to the myrtle shade;And thence, by a power divine, I stoleTo where the waters of... more...

CHAPTER I. BIRTH—ANCESTRY—EARLY YEARS Introductory—Rohrau—A Poor Home—Genealogy—Haydn's Parents—His Birth—His Precocity—Informal Music-making—His First Teacher—Hainburg—"A Regular Little Urchin"—Attacks the Drum—A Piece of Good Luck—A Musical Examination—Goes to Vienna—Choir School of St Stephen's—A House of Suffering—Lessons at the... more...