EDITOR'S PREFACE In issuing these volumes of a series of Handbooks on the Artistic Crafts, it will be well to state what are our general aims. In the first place, we wish to provide trustworthy text-books of workshop practise, from the points of view of experts who have critically examined the methods current in the shops, and putting aside vain survivals, are prepared to say what is good workmanship, and to set up a standard of quality in the... more...

EDITOR'S PREFACE In issuing these volumes of a series of Handbooks on the Artistic Crafts, it will be well to state what are our general aims. In the first place, we wish to provide trustworthy text-books of workshop practice, from the points of view of experts who have critically examined the methods current in the shops, and putting aside vain survivals, are prepared to say what is good workmanship, and to set up a standard of quality in the... more...

CHAPTER I FIRST PRINCIPLES We are often and rightly reminded that woman is half the human race. It is truer even than it appears. Not only is woman half of the present generation, but present woman is half of all the generations of men and women to come. The argument of this book, which will be regarded as reactionary by many women called "advanced"—presumably as doctors say that a case of consumption is "advanced"—involves... more...

I AMONG THE MASSES, OR TRAITS OF CHARACTER. Whatever criticism I choose to make on human character, I hope to soften the criticism with the "milk of human kindness." As rude rough rocks on mountain peaks wear button-hole bouquets so there are intervening traits in the rudest human character, which, if the clouds could only part, would show out in redeeming beauty. To begin with, I believe prejudice to be one of the most unreasonable traits... more...

INTRODUCTION This essay on Wisdom and Destiny was to have been a thing of some twenty pages, the work of a fortnight; but the idea took root, others flocked to it, and the volume has occupied M. Maeterlinck continuously for more than two years. It has much essential kinship with the "Treasure of the Humble," though it differs therefrom in treatment; for whereas the earlier work might perhaps be described as the eager speculation of a poet... more...

WHISTLER STORIES The studios of Chelsea are full of Whistler anecdotes. One tells of a female model to whom he owed some fifteen shillings for sittings. She was a Philistine of the Philistines who knew nothing of her patron's fame and was in no way impressed with his work. One day she told another artist that she had been sitting to a little Frenchman called Whistler, who jumped about his studio and was always complaining that people were... more...

eace is one of the great words of the Holy Scriptures. It is woven through the Old Testament and the New like a golden thread. It inheres and abides in the character of God,—       "The central peace subsisting at the heart      Of endless agitation." It is the deepest and most universal desire of man, whose prayer in all ages has been, "Grant us Thy Peace, O Lord." It is the... more...

I THE DAY WASHINGTON'S BIRTHDAY BY OLIVER WENDELL HOLMES Welcome to the day returning,Dearer still as ages flow,While the torch of Faith is burning,Long as Freedom's altars glow!See the hero whom it gave usSlumbering on a mother's breast;For the arm he stretched to save usBe its morn forever blest!Vain is empire's mad temptation!Not for him an earthly crown!He whose sword has freed a nationStrikes the offered scepter down.See the... more...

INTRODUCTION The rigid conventionality of the theatre has been frequently remarked upon. Why the world should ever fear a radical, indeed, is hard to see, since he has against him the whole dead weight of society; but least of all need the radical be dreaded in the theatre. When the average person pays money for his amusements, he is little inclined to be pleased with something which doesn't amuse him: and what amuses him, nine times out of ten,... more...

INTRODUCTION None of the minor incidents in our naval history has inspired so many writers as the Mutiny of the Bounty. Histories, biographies and romances, from Bligh's narrative in 1790 to Mr. Becke's "Mutineers" in 1898, have been founded upon it; Byron took it for the theme of the least happy of his dramatic poems; and all these, not because the mutiny left any mark upon history, but because it ranks first among the stories of the sea,... more...