CHAPTER I INTRODUCTORY The hints which it is the object of this volume to convey are not meant for experienced archaeologists. They are rather addressed to those who, while anxious to observe and record the antiquities which they may see on their travels, are likely, owing to lack of training, to miss things that may be of importance, or, having observed them, to bring home an imperfect record. It is hoped also that they may catch the... more...

January 1 THERE are two guarantees of a wise rule of conduct: the thought before action, and self-command afterward.—ST. IGNATIUS. 2 When we receive with an entire and perfect resignation the afflictions which God sends us they become for us favors and benefits; because conformity to the will of God is a gain far superior to all temporal advantages.—ST. VINCENT DE PAUL. 3 All perfection consists in the love of God; and the... more...

BREITMANN AND THE TURNERS BY CHARLES GODFREY LELAND Hans Breitmann choined de ToornersNovemper in de fall,Und dey gifed a boostin' benderAll in de Toorner Hall.Dere coomed de whole GesangvereinMit der Liederlich Aepfel Chor,Und dey blowed on de drooms und stroomed on de fifesTill dey couldn't refife no more. Hans Breitmann choined de Toorners,Dey all set oop some shouts,Dey took'd him into deir Toorner Hall,Und poots him a course of... more...

They all climbed up on a high board-fence—Nine little Goblins, with green-glass eyes—Nine little Goblins that had no sense,And couldn't tell coppers from cold mince pies;And they all climbed up on the fence, and sat—And I asked them what they were staring at.And the first one said, as he scratched his headWith a queer little arm that reached out of his earAnd rasped its claws in his hair so red—"This is what this little... more...

VOWELS ā, as in fate, or in bare. ä, as in alms, Fr. âme, Ger. Bahn = á of Indian names. aË™, the same sound short or medium, as in Fr. bal, Ger. Mann. a, as in fat. a¨, as in fall. a, obscure, as in rural, similar to u in but, Ä— in her: common in Indian names. Ä“, as in me = i in machine. e, as in met. Ä—, as in her. Ä«, as in pine, or as ei in Ger. mein. i, as in pin, also used for the short... more...

Whatever the poets may say, it is incontrovertible that the great majority of men look upon the beauties and glories of Nature that surround them with almost entire indifference. We shall not inquire whether this is the result of a natural incapacity to perceive and admire the beautiful and sublime, or whether it is that their impressions are so deadened by familiarity as to be passed by unnoticed. Probably the former is the case with the greater... more...

For several weeks the attention of the curious has been more and more attracted to a remarkable ethnological exhibition at the Society Library. Two persons, scarcely larger than the fabled gentlemen of Lilliput, (though one is twelve or thirteen and the other eighteen years of age), of just and even elegant proportions, and physiognomies striking and peculiar, but not deficient in intellect or refinement, have been visited by throngs of idlers in... more...

The Woman of the Saeter. By Jerome K. Jerome. Illustrations by A. S. Boyd. Wild-Reindeer stalking is hardly so exciting a sport as the evening’s verandah talk in Norroway hotels would lead the trustful traveller to suppose. Under the charge of your guide, a very young man with the dreamy, wistful eyes of those who live in valleys, you leave the farmstead early in the forenoon, arriving towards twilight at the desolate hut which, for... more...

INTRODUCTION THE FASCINATION OF THE GHOSTSTORY Arthur B. Reeve What is the fascination we feel for the mystery of the ghost story? Is it of the same nature as the fascination which we feel for the mystery of the detective story? Of the latter fascination, the late Paul Armstrong used to say that it was because we are all as full of crime as Sing Sing—only we don't dare. Thus, may I ask, are we not fascinated by the ghost story... more...

INTRODUCTION The rigid conventionality of the theatre has been frequently remarked upon. Why the world should ever fear a radical, indeed, is hard to see, since he has against him the whole dead weight of society; but least of all need the radical be dreaded in the theatre. When the average person pays money for his amusements, he is little inclined to be pleased with something which doesn't amuse him: and what amuses him, nine times out of ten,... more...