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Showing: 401-410 results of 455

by Various
MORE DISCIPLINE. "Yes, Sir," said Sergeant Wally, accepting one of my cigarettes and readjusting his wounded leg,—"yes, Sir, discipline's the thing. It's only when a man moves on the word o' command, without waiting to think, that he becomes a really reliable soldier. I remember, when I was a recruit, how they put us through it. I'd been on the square about a week. I was a fairly smart youngster, and I thought I was jumping to it just like... more...

by Various
BLANCHE'S LETTERS. SOCIETY "WAR-WORKERS." DEAREST DAPHNE,—The scarcity of paper isn't altogether an unmixed misfortune, as far as one's correspondence is concerned. Letters that don't matter, letters from the insignificant and the boresome, simply aren't answered. For small spur-of-the-moment notes to one's intimes who're not too far off, there's quite a little feeling for using slates. One writes what one's to say on one's slate (which... more...

The Elysian Fields, a flower-gemmed bank, by a flowing stream, beneath the sylvan shade of unfading foliage.Mr. Punch—who is free of all places, from Fleet Street to Parnassus—discovered, in Arcadian attire, attempting "numerous verse" on a subject of National importance—to wit, the approaching Royal Marriage. Mr. Punch. Propt on this "bank of amaranth and moly,"Beneath the shade of boughs unmelancholy,I meditate on Æstas... more...

"SOME DAY!" (Latest Egyptian Version of Milton Welling's popular Song.) Mr. Bull to Miss Egypt, sings:— I know not when the day shall be, I know not when we two shall part; What farewell you will give to me, Or will your words be sweet or tart? It may not be till years have passed, Till France grows calm, young Abbas grey; But I am pledged—so, love, at last, Our hands, our hearts must part—some day! Some day, some... more...

by Various
DRURIOLANUS IN (MUSIC) AULIS. The Augustan Age is to be revived at the new Palace Theatre of Varieties, late CARTE's English Opera House, for two of the imperial name of AUGUSTUS are foremost among the Directors of this new enterprise—which word "enterprise" is preferable to "undertaking." Sir AUGUSTUS leads; and GEORGIUS AUGUSTUS follows in the cast as Second Director,—with or without song is not mentioned. In comparison with this... more...


by Various
VENICE RESERVED. (A Sketch from a Numbered Stall at Olympia.) On the Stage, the Scene represents "A Public Place before the Arsenal," where a number of artisans are apparently busily engaged in making horse-shoes on cold anvils in preparation for the launch of "The Adriatica." On extreme R. enter Antonio, who expresses commercial embarrassment by going through a sort of dumb-bell exercise on a bridge. On extreme L. enter Bassanio, Lorenzo, and... more...

by Various
MORE THAN SATISFIED! (With Mr. Punch's apologies to the Daily Telegraph's "Academic Enthusiast.") "She-Pantaloons? seedy? Now, do we look like it?" The speaker was a tall, robust maiden with fair hair; on her knee was an edition (without notes) of the Anabasis of Xenophon, and by her side was Liddell and Scott's Lexicon, in which she had just been tracking an exceptionally difficult—but, let me hasten to add, a perfectly... more...

by Various
HOSPITALITY À LA MODE. ["Programmes and introductions are going out of fashion at balls."—Weekly Paper.] SCENE—Interior of a Drawing-room during a dance. Sprightly Damsel disengaged looking out for a partner. She addresses cheerful-looking Middle-aged Gentleman, who is standing near her. She. I am not quite sure whether I gave you this waltz? He. Nor I. But I hope you did. I am afraid it is nearly over, but we... more...

by Various
CONFESSIONS OF A DUFFER. V.—THE DUFFER AT CRICKET. To hear my remarks on the Cricket, in the Pavilion, you might think that I had been a great player entirely, in my day. "Who is that fine old English sportsman," you might ask, "who seems to have been so intimate with MYNN, and FULLER PILCH, and CARPENTER, and HAYWARD and TARRANT and JACKSON and C.D. MARSHAM? No doubt we see in him the remains of a sterling Cricketer of the old school."... more...

by Various
THE WAITERS' STRIKE. (At the Naval Exhibition.)   The German Waiter waxeth fat; he grows exceeding proud; He is a shade more kicksome than can fairly be allowed. The British Press goes out to dine—the Teuton, they relate, Throws down his napkin like a gage, and swears he will not wait. Now there are many proverbs—some are good and some are not— But the Teuton was misled who cried, "Strike while the... more...