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The first aim of art, no doubt, is the representation of things as they are. But then things are as our eyes see them and as our minds make them; and it is thus of primary importance for the critic to distinguish the precise qualities of the eyes and minds which make the world into imaginative literature. Reality may be so definite and so false, just as it may be so fantastic and so true; and, among... more...

CHAPTER I Wilfrid Athel went down invalided a few days after the beginning of Trinity term. The event was not unanticipated. At Christmas it had been clear enough that he was overtaxing himself; his father remarked on the fact with anxiety, and urged moderation, his own peculiar virtue. Wilfrid, whose battle with circumstances was all before him, declined to believe that the body was anything but the... more...

The Chimney-Pots. y windows look across the roofs of the crowded city and my thoughts often take their suggestion from the life that is manifest at my neighbors' windows and on these roofs. Across the way, one story lower than our own, there dwells "with his subsidiary parents" a little lad who has been ill for several weeks. After his household is up and dressed I regularly discover him... more...

I. SHANGHAIED This is to be a story of a battle, at least one murder, and several sudden deaths. For that reason it begins with a pink tea and among the mingled odors of many delicate perfumes and the hale, frank smell of Caroline Testout roses. There had been a great number of debutantes "coming out" that season in San Francisco by means of afternoon teas, pink, lavender, and otherwise. This... more...

A MERCURY OF THE FOOT-HILLS It was high hot noon on the Casket Ridge. Its very scant shade was restricted to a few dwarf Scotch firs, and was so perpendicularly cast that Leonidas Boone, seeking shelter from the heat, was obliged to draw himself up under one of them, as if it were an umbrella. Occasionally, with a boy's perversity, he permitted one bared foot to protrude beyond the sharply marked... more...

INTRODUCTION I was talking the other day to Alfred Coppard, who has steered more successfully than most English story writers away from the Scylla and Charybdis of the modern artist. He told me that he had been reading several new novels and volumes of short stories by contemporary American writers with that awakened interest in the civilization we are framing which is so noticeable among English... more...

The most robust and masculine of recent French novelists is a typical Norman, sprung from an ancient noble family, originally of Lorraine, but long settled in the Pays de Caux. The traveler from England towards Paris, soon after leaving Dieppe, sees on his left hand, immediately beyond the station of St. Aubin, a handsome sixteenth-century house, the Château de Miromesnil, on a hill above the railway.... more...

CHAPTER I. Where the North Fork of the Stanislaus River begins to lose its youthful grace, vigor, and agility, and broadens more maturely into the plain, there is a little promontory which at certain high stages of water lies like a small island in the stream. To the strongly-marked heroics of Sierran landscape it contrasts a singular, pastoral calm. White and gray mosses from the overhanging rocks and... more...

A SUPRA-LAPSARIAN Jeremiah Saunderson had remained in the low estate of a "probationer" for twelve years after he left the Divinity Hall, where he was reported so great a scholar that the Professor of Apologetics spoke to him deprecatingly, and the Professor of Dogmatics openly consulted him on obscure writers. He had wooed twenty-three congregations in vain, from churches in the black country,... more...

HOW THEY STRUCK A CONTEMPORARY There is such a thing as robbing a story of its reality by trying to make it too true, and The Black Arrow is so inartistic as not to contain a single anachronism to boast of, while the transformation of Dr. Jekyll reads dangerously like an experiment out of the Lancet.  As for Mr. Rider Haggard, who really has, or had once, the makings of a perfectly magnificent liar,... more...