TALE LI. Because he would not have his son make a poor marriage, theDuke of Urbino, contrary to the promise given to his wife,hanged a young maiden by whom his son was wont to inform hissweetheart of the love he bore her. The Duke of Urbino, called the Prefect, (1) the same that married the sister of the first Duke of Mantua, had a son of between eighteen and twenty years of age, who was in love with a girl of an excellent and honourable house,... more...

CHAPTER I The clock in the tower of the village church had just struck the quarter. In the southeast a pale dawn light was beginning to show above the curving hollow of the down wherein the village lay enfolded; but the face of the down itself was still in darkness. Farther to the south, in a stretch of clear night sky hardly touched by the mounting dawn, Venus shone enthroned, so large and brilliant, so near to earth and the spectator, that... more...

PROLOGUE I never met Gabrielle Hewish. I suppose I should really call her by that name, for her marriage took the colour out of it as surely as if she had entered a nunnery, and adopted the frigid and sisterly label of some female saint. Nobody had ever heard of her husband before she married him, and nobody ever heard of Gabrielle afterwards, except those who were acquainted with the story of Arthur Payne, as I was, and, perhaps, a coroner's... more...

I profess a certain vagueness of remembrance in respect to the origin and growth of The Tragic Muse, which appeared in the Atlantic Monthly again, beginning January 1889 and running on, inordinately, several months beyond its proper twelve. If it be ever of interest and profit to put one's finger on the productive germ of a work of art, and if in fact a lucid account of any such work involves that prime identification, I can but look on the... more...

CHAPTER I A MAJOR AND TWO MINORS I It had rained all night, one of the summer rains that, beginning in a thunder-storm in Washington, had continued in a steaming drizzle until morning. There were only four passengers in the sleeper, men all of them—two in adjoining sections in the middle of the car, a third in the drawing-room, a fourth an intermittent occupant of a berth at the end. They had gone to bed unaware of the estate or... more...

CHAPTER I A MAJOR AND TWO MINORS I It had rained all night, one of the summer rains that, beginning in a thunder-storm in Washington, had continued in a steaming drizzle until morning. There were only four passengers in the sleeper, men all of them—two in adjoining sections in the middle of the car, a third in the drawing-room, a fourth an intermittent occupant of a berth at the end. They had gone to bed unaware of the estate or... more...

Laurence Vanderlyn, unpaid attaché at the American Embassy in Paris, strode down the long grey platform marked No. 5, of the Gare de Lyon. It was seven o'clock, the hour at which Paris is dining or is about to dine, and the huge station was almost deserted. The train de luxe had gone more than an hour ago, the Riviera rapide would not start till ten, but one of those trains bound for the South, curiously named demi-rapides, was timed to... more...

Love is as strong as death; jealousy is cruel as the grave: the coals thereof are coals of fire, which hath a most vehement flame. THE SONG OF SOLOMON, VIII, 6. There is nothing in the world nobler, and lovelier, and more absurd, than a boy's lovemaking. And the joyousness of it!... The boy of nineteen, Maurice Curtis, who on a certain June day lay in the blossoming grass at his wife's feet and looked up into her dark eyes, was embodied Joy!... more...

SOMETHING AMISS. Everybody knows Canterbury, with its Old-World charms and its ostentatious air of being content to be rather behind the times, of looking down upon the hurrying Americans who dash through its cathedral and take snap-shots at its slums, and at all those busy moderns who cannot afford to take life at its own jog-trot pace. But everybody does not know the charming old halls and comfortable, old-fashioned mansions which are dotted... more...

CHAPTER I 'I cannot help it,' said Filmore Durand quietly. 'I paint what I see. If you are not pleased with the likeness, I shall be only too happy to keep it.' The Marchesa protested. It was only a very small matter, she said, a something in the eyes, or in the angle of the left eyebrow, or in the turn of the throat; she could not tell where it was, but it gave her niece a little air of religious ecstasy that was not natural to her. If the... more...