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PALACE OF THE KREMLIN
(FEBRUARY 20th, A.D. 1598)
PRINCE SHUISKY and VOROTINSKY
VOROTINSKY. To keep the city's peace, that is the taskEntrusted to us twain, but you forsoothHave little need to watch; Moscow is empty;The people to the Monastery have flockedAfter the patriarch. What thinkest thou?How will this trouble end?
SHUISKY. How will it end?That is not hard to tell. A little moreThe multitude will groan and wail, BorisPucker awhile his... more...
George Chapman was probably born in the year after Elizabeth's accession. Anthony Wood gives 1557 as the date, but the inscription on his portrait, prefixed to the edition of The Whole Works of Homer in 1616, points to 1559. He was a native of Hitchin in Hertfordshire, as we learn from an allusion in his poem Euthymiæ Raptus or The Teares of Peace, and from W. Browne's reference to him in Britannia's Pastorals as "the learned shepheard of... more...
ACT I
An October night on the Syrian border of Egypt towards the end of the XXXIII Dynasty, in the year 706 by Roman computation, afterwards reckoned by Christian computation as 48 B.C. A great radiance of silver fire, the dawn of a moonlit night, is rising in the east. The stars and the cloudless sky are our own contemporaries, nineteen and a half centuries younger than we know them; but you would not guess that from their appearance. Below... more...
On July 1, 1776, the Continental Congress of the American Colonies faced one of the most important crises this country has ever passed through. Upon what happened that night depended the fate of the resolution before Congress which declared that: "These United Colonies are, and of right ought to be, free and independent States, that they are absolved from all allegiance to the British Crown, and that all political connection between them and the... more...
ACT I
On the heights overlooking the harbor of Mogador, a seaport on the west coast of Morocco, the missionary, in the coolness of the late afternoon, is following the precept of Voltaire by cultivating his garden. He is an elderly Scotchman, spiritually a little weatherbeaten, as having to navigate his creed in strange waters crowded with other craft but still a convinced son of the Free Church and the North African Mission, with a faithful... more...
SCENE I.—The Upper Chamber in Holyrood.
The four MARIES.
MARY BEATON (sings):—
1. Le navire Est a l'eau; Entends rire Ce gros flot Que fait luire Et bruire Le vieux sire Aquilo.
2. Dans l'espace Du grand air Le vent passe Comme un fer; Siffle et... more...
ACT I
SCENE I
The curtain rises on the BARTHWICK'S dining-room, large, modern, and well furnished; the window curtains drawn. Electric light is burning. On the large round dining-table is set out a tray with whisky, a syphon, and a silver cigarette-box. It is past midnight.
A fumbling is heard outside the door. It is opened suddenly; JACK BARTHWICK seems to fall into the room. He stands holding by the door knob, staring before him, with a... more...
ACT I
SCENE 1A Street in Burgos; the Cathedral in the distance.[Enter Two Courtiers.]
I:1:1 1ST COURT.The Prince of Hungary dismissed?I:1:2 2ND COURT.IndeedSo runs the rumour.I:1:3 1ST COURT.Why the spousal noteStill floats upon the air!I:1:4 2ND COURT.Myself this mornBeheld the Infanta's entrance, as she threw,Proud as some hitless barb, her haughty glanceOn our assembled chiefs.I:1:5 1ST COURT.The Prince was there?I:1:6 2ND COURT.Most... more...
ACT I.
SCENE I.
[1st Cut.] [2nd Grooves.]
A Lane near a Village. Afternoon.
Enter ARTHUR WALTON and WILLIAM, R.S.E.
Arthur. Give me your arm, my feet tread heavily;The sameness of this scene doth pierce my heartWith thronging recollections of the past.There is nought chang'd—and what a world of care,Of sorrow, passion, pleasure have I known,Since but a natural part of this was I,Whose voice is now a discord to the soundsOnce daily... more...
ACT I
The scene is a darkened room, which the curtain reveals so stealthily that if there was a mouse on the stage it is there still. Our object is to catch our two chief characters unawares; they are Darkness and Light.
The room is so obscure as to be invisible, but at the back of the obscurity are French windows, through which is seen Lob's garden bathed in moon-shine. The Darkness and Light, which this room and garden represent, are very... more...