GEORGE WILKINS KENDALL. We have here a capital portrait of the editor in chief of the New Orleans Picayune, George W. Kendall, who, as an editor, author, traveller, or bon garçon, is world-famous, and every where entitled to be chairman in assemblies of these several necessary classes of people. Take him for all in all, he may be described as a new Chevalier Bayard, baptized in the spirit of fun, and with a steel pen in lieu of a blade of... more...

THOMAS CHATTERTON. In the history of English literature there is no name that inspires a profounder melancholy than that of the "marvellous boy" Chatterton, of whom it must be said that in genius he surpassed any one who ever died so young, and that in suffering he had larger experience than almost any one who has lived to old age. Shelley says of him: "'Mid others of less note came one frail form,A phantom among men; companionlessAs the last... more...

THE COUNTRY HOUSES OF NORMANDY. THE houses chosen for illustration in this number are of different types, of different dates, built for men of different stations in life, and are constructed of different materials. They are, however, all in the province of Normandy, in northern France, and they are all situated outside the towns; further than this it may not be well to go in attempting to classify them under one head. Like the subjects chosen... more...

BYZANTINE-ROMANESQUE DOORWAYS IN SOUTHERN ITALY. The illustrations chosen for this issue are all from the Byzantine Romanesque work in the province of Apulia, that portion of Southern Italy familiar in school-boy memory as the heel of the boot. Writers upon architecture have found it difficult to strictly classify the buildings of this neighborhood, as in fact is the case with most of the medieval architecture of Italy, although the influences... more...

CIVIL AND DOMESTIC ARCHITECTURE.—I. The term Civil and Domestic Architecture includes all public and private edifices, that is to say: honorary monuments, such as triumphal arches and tombs; buildings for the instruction of the public, such as museums, libraries and schools; houses for public amusements, as theatres, amphitheatres and circuses; structures for public service, as city-halls, court-houses, prisons, hospitals, thermæ,... more...

WOMEN AND LITERATURE IN FRANCE. From a sprightly letter from Paris to the Cologne Gazette, we translate for The International the following account of the position of women in the French Republic, together with the accompanying gossip concerning sundry ladies whose names have long been quite prominently before the public: "It is curious that the idea of the emancipation of women should have originated in France, for there is no country in... more...

JAMES FENIMORE COOPER.   The readers of the International have in the above engraving, from a Daguerreotype by Brady, the best portrait ever published of an illustrious countryman of ours, who, as a novelist, take him all in all, is entitled to precedence of every other now living. "With what amazing power," exclaims Balzac, in the Revue de Paris, "has he painted nature! how all his pages glow with creative fire! Who is there writing... more...

THE FUTURE OF CHINA. The late reconquest by China of some of her former possessions in Central Asia, and the firm tone in which she is urging her demands upon Russia, in respect of the Kuldja territory, are giving her a prominence as a factor in Asiatic politics which she can scarcely be said to have claimed before. These signs of tenacity of purpose, if not of actual vitality, acquire an additional interest when viewed in connection with the... more...

FRENCH FARMHOUSES. As it is the purpose of THE BROCHURE SERIES to cover as wide a field as possible in choice of subject matter for its illustrations, and at the same time hold rigidly to the idea of furnishing only what will be useful to its subscribers, it has seemed desirable to present something a little nearer our everyday life than the Italian work which has thus far formed the greater part of the plate matter. The domestic architecture... more...

ITALIAN WROUGHT IRON. The wrought iron of the middle ages, and of the time of the Renaissance, and even down to the last century, in Italy, France, and Germany showed, in the crudest examples, the principal virtues of all true decorative art. The reason is not far to seek. The difficulties in the way of working the material with ease imposed certain limitations in design and execution which could not well be disregarded. The lack of machinery... more...