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Showing: 31-36 results of 36

PREFACE. An artist, engaged in the illustration of the Architectural Antiquities of England, could scarcely do otherwise than often cast a wistful look towards the opposite shores of Normandy; and such would particularly be the case, if, like Mr. Cotman, to a strong attachment to his profession and the subject, he should chance to add a residence in Norfolk. This portion of the kingdom of the East-Angles, in its language and in its customs, but... more...

ARTICLE I. Of the great Merits of Vitruvius, and the Excellencies of his Works. here are so many things in the Works of Vitruvius that do not directly appertain to Architecture, that one would think they were less fitted to Instruct those that have a design to learn the Precepts of this Art, than to perswade the World that the Author was the most knowing Architect that ever was, and a Person of the greatest Merit: He had the Honour to serve... more...

PREFACE. The aim of this work has been to sketch the various periods and styles of architecture with the broadest possible strokes, and to mention, with such brief characterization as seemed permissible or necessary, the most important works of each period or style. Extreme condensation in presenting the leading facts of architectural history has been necessary, and much that would rightly claim place in a larger work has been omitted here. The... more...

Preface "A thousand years ago, by the rim of a tiny spring, a monk who had avowed himself to the cult of Saint Saturnin, robed, cowled and sandalled, knelt down to say a prayer to his beloved patron saint. Again he came, this time followed by more of his kind, and a wooden cross was planted by the side of the "Fontaine Belle Eau," by this time become a place of pious pilgrimage. After the monk came a king, the latter to hunt in the... more...

BEFORE quitting England for a first visit to Spain in the Autumn of 1869, I made up my mind both to see and draw as much of the Architectural remains of that country as the time and means at my disposal would permit; and further determined so to draw as to admit of the publication of my sketches and portions of my notes on the objects represented, in the precise form in which they might be made. I was influenced in that determination by the... more...

INTRODUCTION. The textile art is one of the most ancient known, dating back to the very inception of culture. In primitive times it occupied a wide field, embracing the stems of numerous branches of industry now expressed in other materials or relegated to distinct systems of construction. Accompanying the gradual narrowing of its sphere there was a steady development with the general increase of intelligence and skill so that with the cultured... more...