I Next morning he saw her again. He had left his very new law office, just around in Bienville Street, and had come but a few steps down Royal, when, at the next corner below, she turned into Royal, toward him, out of Conti, coming from Bourbon. The same nine-year-old negro boy was at her side, as spotless in broad white collar and blue jacket as on the morning before, and carrying the same droll air of consecration, awe, and responsibility.... more...

MY OWN ACRE A lifelong habit of story-telling has much to do with the production of these pages. All the more does it move me because it has always included, as perhaps it does in most story-tellers, a keen preference for true stories, stories of actual occurrence. A flower-garden trying to be beautiful is a charming instance of something which a storyteller can otherwise only dream of. For such a garden is itself a story, one which actually... more...

CHAPTER I. AN OLD HOUSE. A few steps from the St. Charles Hotel, in New Orleans, brings you to and across Canal Street, the central avenue of the city, and to that corner where the flower-women sit at the inner and outer edges of the arcaded sidewalk, and make the air sweet with their fragrant merchandise. The crowd—and if it is near the time of the carnival it will be great—will follow Canal Street. But you turn, instead, into the... more...

AN OLD HOUSE. A few steps from the St. Charles Hotel, in New Orleans, brings you to and across Canal street, the central avenue of the city, and to that corner where the flower-women sit at the inner and outer edges of the arcaded sidewalk, and make the air sweet with their fragrant merchandise. The crowd—and if it is near the time of the carnival it will be great—will follow Canal street. But you turn, instead, into the quiet,... more...

CHAPTER I. THE DOCTOR. The main road to wealth in New Orleans has long been Carondelet street. There you see the most alert faces; noses—it seems to one—with more and sharper edge, and eyes smaller and brighter and with less distance between them than one notices in other streets. It is there that the stock and bond brokers hurry to and fro and run together promiscuously—the cunning and the simple, the headlong and the... more...

I RUTH AND GODFREY The old street, keeping its New England Sabbath afternoon so decently under its majestic elms, was as goodly an example of its sort as the late seventies of the century just gone could show. It lay along a north-and-south ridge, between a number of aged and unsmiling cottages, fronting on cinder sidewalks, and alternating irregularly with about as many larger homesteads that sat back in their well-shaded gardens with kindlier... more...

CHAPTER I MASKED BATTERIES It was in the Théatre St. Philippe (they had laid a temporary floor over the parquette seats) in the city we now call New Orleans, in the month of September, and in the year 1803. Under the twinkle of numberless candles, and in a perfumed air thrilled with the wailing ecstasy of violins, the little Creole capital's proudest and best were offering up the first cool night of the languidly departing summer to... more...

SHE WANTED TO LAUGH Our camp was in the heart of Copiah County, Mississippi, a mile or so west of Gallatin and about six miles east of that once robber-haunted road, the Natchez Trace. Austin's brigade, we were, a detached body of mixed Louisiana and Mississippi cavalry, getting our breath again after two weeks' hard fighting of Grant. Grierson's raid had lately gone the entire length of the State, and we had had a hard, vain chase after him,... more...

"The dream of Pharaoh is one. The seven kine are seven years; and the seven good ears are seven years: the dream is one…. And for that the dream was doubled unto Pharaoh twice, it is because the thing is established."… In other words: Behind three or four subtitles and changes of time, scene, characters, this tale of strong hearts is one. And for that the tale is tripled or quadrupled unto you three or four times (the number will... more...

HOW I GOT THEM. 1882-89. True stories are not often good art. The relations and experiences of real men and women rarely fall in such symmetrical order as to make an artistic whole. Until they have had such treatment as we give stone in the quarry or gems in the rough they seldom group themselves with that harmony of values and brilliant unity of interest that result when art comes in—not so much to transcend nature as to make nature... more...