Excerpt
INTRODUCTION.
There is scarcely an UN-DRAMATIC writer of the Seventeenth Century, whose poems exhibit so many and such gross corruptions as those of the author of LUCASTA. In the present edition, which is the first attempt to present the productions of a celebrated and elegant poet to the admirers of this class of literature in a readable shape, both the text and the pointing have been amended throughout, the original reading being always given in the footnotes; but some passages still remain, which I have not succeeded in elucidating to my satisfaction, and one or two which have defied all my attempts at emendation, though, as they stand, they are unquestionably nonsense. It is proper to mention that several rather bold corrections have been hazarded in the course of the volume; but where this has been done, the deviation from the original has invariably been pointed out in the notes.
On the title-page of the copy of LUCASTA, 1649, preserved among the King's Pamphlets in the British Museum, the original possessor has, according to his usual practice, marked the date of purchase, viz., June 21; perhaps, and indeed probably, that was also the date of publication. A copy of LUCASTA, 1649, occasionally appears in catalogues, purporting to have belonged to Anne, Lady Lovelace; but the autograph which it contains was taken from a copy of Massinger's BONDMAN (edit. 1638, 4to.), which her Ladyship once owned. This copy of Lovelace's LUCASTA is bound up with the copy of the POSTHUME POEMS, once in the possession of Benjamin Rudyerd, Esq., grandson and heir of the distinguished Sir Benjamin Rudyerd, as appears also from his autograph on the title.<1.1>
In the original edition of the two parts of LUCASTA, 1649-59, the arrangement of the poems appears, like that of the text, to have been left to chance, and the result has been a total absence of method. I have therefore felt it part of my duty to systematise the contents of the volume, and, so far as it lay in my power, to place the various pieces of which it consisted in their proper order; all the odes, sonnets, &c. addressed or referring to the lady who is concealed under the names of LUCASTA and AMARANTHA have now been, for the first time, brought together; and the copies of commendatory and gratulatory verses, with one exception prefixed by Lovelace to various publications by friends during his life-time, either prior to the appearance of the first part of his own poems in 1649, or between that date and the issue of his Remains ten years later, have been placed by themselves, as an act of justice to the writer, of whose style and genius they are, as is generally the case with all compositions of the kind, by no means favourable specimens. The translations from Catullus, Ausonius, &c. have been left as they stood; they are, for the most part, destitute of merit; but as they were inserted by the Poet's brother, when he edited the posthumous volume, I did not think it right to disturb them, and they have been retained in their full integrity....