Our website is made possible by displaying online advertisements to our visitors.
Please consider supporting us by disabling your ad blocker.

Download links will be available after you disable the ad blocker and reload the page.
Showing: 1701-1710 results of 1769

VESTIGES OF THE MAYAS. Yucatan is the peninsula which divides the Gulf of Mexico from the Caribbean Sea. It is comprised between the 17° 30´ and 21° 50´, of latitude north, and the 88° and 91° of longitude west from the Greenwich meridian. The whole peninsula is of fossiferous limestone formation. Elevated a few feet only above the sea, on the coasts, it gradually raises toward the interior, to a maximum height of... more...

THE BEGINNINGS In Paris, in the Rue Coquillière, Louis the Fifteenth being King of France—or rather the Pompadour holding sway thereover—there lived a witty, amiable fellow who plied the art of painting portraits in oils and pastels after the mediocre fashion that is called "pleasing." This Louis Vigée and his wife, Jeanne Maissin, moved in the genial enthusiastic circle of the lesser artists, passing through their... more...

As Pilgrims go to Rome In the same way that the poets have loved Rome and made their pilgrimages there—as good Moslems travel toward Mecca, so there are some of us who have come to San Francisco. Then when we arrive and find it all that we have dreamed, our love for it becomes its highest tribute. And I don't know why it is sacrilege to mention Rome and San Francisco in the same breath. As for me I greatly prefer San Francisco, although I... more...

VILLAGE IMPROVEMENTS. It may be because the newness of our country and the fragile character of our early structures have prevented the accumulation of inferior, ugly, and uncomfortable houses, as the nucleus around which later building has crystallized; it may be from circumstances which have prevented the isolated residence of the better classes of our people; or it may be the result of accident. Whatever the reason, it is beyond dispute that... more...

INTRODUCTION. Many admirable works on this interesting subject have appeared in several languages, but, to my mind, in a form too sternly technical, cold, if I may be allowed—the writers barely in touch with the anxious youth or man, who, as amateur, yearns to get at that knowledge of correct construction without which he scarce may hope to become a professional violin maker, some notable instances to the contrary, all the same. I... more...


I ENRICO CARUSO THE VALUE OF WORK Enrico Caruso! The very name itself calls up visions of the greatest operatic tenor of the present generation, to those who have both heard and seen him in some of his many rôles. Or, to those who have only listened to his records, again visions of the wonderful voice, with its penetrating, vibrant, ringing quality, the impassioned delivery, which stamps every note he sings with the hall mark of... more...

CHAPTER I. THE CLAIMS AND IMPORTANCE OF VOCAL PHYSIOLOGY. To know consciously and to do with special reference to guiding principles are to be distinguished from carrying out some process without bearing in mind the why or wherefore. Science is exact and related knowledge, facts bound together by principles. Art is execution, doing, and has not necessarily any conscious reference to principles. While every art has its corresponding science,... more...

INTRODUCTION None of the minor incidents in our naval history has inspired so many writers as the Mutiny of the Bounty. Histories, biographies and romances, from Bligh's narrative in 1790 to Mr. Becke's "Mutineers" in 1898, have been founded upon it; Byron took it for the theme of the least happy of his dramatic poems; and all these, not because the mutiny left any mark upon history, but because it ranks first among the stories of the sea,... more...

LIFE OF WAGNER HIS YOUTH 1813-1834. The old world is very remote from us now, but it is worth while making a small attempt to realize how it stood to Wagner. When he was born, in 1813, Bach had been dead only a little over sixty years; Mozart had been dead about twenty years, and Haydn about ten; Beethoven was in the full splendour of his tremendous powers; Weber and Schubert had still their finest work to do. To grasp all that this means,... more...

CHAPTER I ON WAGNER CRITICISM A new work on Wagner requires some justification. It might be urged that, since the Meister has been dead for some decades and the violence of party feeling may be assumed to have somewhat abated, we are now in a position to form a sober estimate of his work, to review his aims, and judge of his measure of success. Such, however, is not my purpose in the following pages. I conceive that the endeavour to estimate... more...