Long before I began the papers which make up this volume, I had meant to write of literary history in New England as I had known it in the lives of its great exemplars during the twenty-five years I lived near them. In fact, I had meant to do this from the time I came among them; but I let the days in which I almost constantly saw them go by without record save such as I carried in a memory retentive, indeed, beyond the common, but not so full as... more...

I do not think that such a fact would now move the fancy of the liveliest newspaper man, so much has the West since returned upon the East in a refluent wave of authorship. But then the West was almost an unknown quality in our literary problem; and in fact there was scarcely any literature outside of New England. Even this was of New England origin, for it was almost wholly the work of New England men and women in the "splendid exile" of New... more...

1881. Question 1.—Sound is said to travel about four times as fast in water as in air. How has this been proved? State your reasons for thinking whether sound travels faster or slower in oil than in water. <p 184> Answer(a).—Mr. Colladon, a gentleman who happened to have a boat, wrote to a friend called Mr. Sturm to borrow another boat and row out on the other side of the lake, first providing himself with a large ear-trumpet.... more...

INTRODUCTORY: OF MODERN ENGLISH POETRY To Mr. Arthur Wincott, Topeka, Kansas. Dear Wincott,—You write to me, from your “bright home in the setting sun,” with the flattering information that you have read my poor “Letters to Dead Authors.”  You are kind enough to say that you wish I would write some “Letters to Living Authors;” but that, I fear, is out of the question,—for me. A thoughtful... more...

INTRODUCTION François Marie Arouet, who called himself Voltaire, was the son of François Arouet of Poitou, who lived in Paris, had given up his office of notary two years before the birth of this his third son, and obtained some years afterwards a treasurer’s office in the Chambre des Comptes.  Voltaire was born in the year 1694.  He lived until within ten or eleven years of the outbreak of the Great French... more...

LECTURE I.—INTRODUCTORY ON POETRY IN GENERAL. The best general notion which I can give of poetry is, that it is the natural impression of any object or event, by its vividness exciting an involuntary movement of imagination and passion, and producing, by sympathy, a certain modulation of the voice, or sounds, expressing it. In treating of poetry, I shall speak first of the subject-matter of it, next of the forms of expression to which it... more...

INTRODUCTION. This volume contains a record of twenty lives, of which only one—that of Edward Young—is treated at length. It completes our edition of Johnson's Lives of the Poets, from which a few only of the briefest and least important have been omitted. The eldest of the Poets here discussed were Samuel Garth, Charles Montague (Lord Halifax), and William King, who were born within the years 1660-63. Next in age were Addison's... more...

INTRODUCTION. Johnson's "Lives of the Poets" were written to serve as Introductions to a trade edition of the works of poets whom the booksellers selected for republication. Sometimes, therefore, they dealt briefly with men in whom the public at large has long ceased to be interested. Richard Savage would be of this number if Johnson's account of his life had not secured for him lasting remembrance. Johnson's Life of Savage in this volume has... more...

PREFACE. The following treatise was awarded the Harness Prize at Cambridge in 1904. I have, however, revised it since then, and in some matters considerably enlarged it. A list of the chief authorities to whom I am indebted will be found at the end of the book, but it is fitting that I should here make particular mention of my obligations to the exhaustive work of Mr Bond. Not only have his labours of research and collation lightened the task... more...

A GLANCE AT JEWISH LITERATURE In a well-known passage of the Romanzero, rebuking Jewish women for their ignorance of the magnificent golden age of their nation's poetry, Heine used unmeasured terms of condemnation. He was too severe, for the sources from which he drew his own information were of a purely scientific character, necessarily unintelligible to the ordinary reader. The first truly popular presentation of the whole of Jewish literature... more...