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Showing: 61-70 results of 121

CHAPTER I. THE CHATEAU Les Aigues, August 6, 1823. To Monsieur Nathan, My dear Nathan,—You, who provide the public with such delightful dreams through the magic of your imagination, are now to follow me while I make you dream a dream of truth. You shall then tell me whether the present century is likely to bequeath such dreams to the Nathans and the Blondets of the year 1923; you shall estimate the distance at which we now are from the... more...

CHAPTER I. SERAPHITUS As the eye glances over a map of the coasts of Norway, can the imagination fail to marvel at their fantastic indentations and serrated edges, like a granite lace, against which the surges of the North Sea roar incessantly? Who has not dreamed of the majestic sights to be seen on those beachless shores, of that multitude of creeks and inlets and little bays, no two of them alike, yet all trackless abysses? We may almost... more...

CHAPTER I. THE LAST WORD OF TWO GREAT COQUETTES After the disasters of the revolution of July, which destroyed so many aristocratic fortunes dependent on the court, Madame la Princesse de Cadignan was clever enough to attribute to political events the total ruin she had caused by her own extravagance. The prince left France with the royal family, and never returned to it, leaving the princess in Paris, protected by the fact of his absence; for... more...

ESTHER HAPPY; OR, HOW A COURTESAN CAN LOVE In 1824, at the last opera ball of the season, several masks were struck by the beauty of a youth who was wandering about the passages and greenroom with the air of a man in search of a woman kept at home by unexpected circumstances. The secret of this behavior, now dilatory and again hurried, is known only to old women and to certain experienced loungers. In this immense assembly the crowd does not... more...

Through gloomy paths unknown—   Paths which untrodden be,From rock to rock I roam   Along the dashing sea. BOWRING. * * * * * NORWICH:printed and published by jarrold and sons.1913 Contents. Preface Lines from Allan Cunningham to George Borrow The Death-raven.  From the Danish of Oehlenslæger Fridleif and Helga.  From the Danish of Oehlenslæger Sir Middel.  From the Old Danish... more...


During winter nights noise never ceases in the Rue Saint-Honore except for a short interval. Kitchen-gardeners carrying their produce to market continue the stir of carriages returning from theatres and balls. Near the middle of this sustained pause in the grand symphony of Parisian uproar, which occurs about one o'clock in the morning, the wife of Monsieur Cesar Birotteau, a perfumer established near the Place Vendome, was startled from her... more...

I. THE LORRAINS At the dawn of an October day in 1827 a young fellow about sixteen years of age, whose clothing proclaimed what modern phraseology so insolently calls a proletary, was standing in a small square of Lower Provins. At that early hour he could examine without being observed the various houses surrounding the open space, which was oblong in form. The mills along the river were already working; the whirr of their wheels, repeated by... more...

PIERRE GRASSOU Whenever you have gone to take a serious look at the exhibition of works of sculpture and painting, such as it has been since the revolution of 1830, have you not been seized by a sense of uneasiness, weariness, sadness, at the sight of those long and over-crowded galleries? Since 1830, the true Salon no longer exists. The Louvre has again been taken by assault,—this time by a populace of artists who have maintained... more...

Paz

I In September, 1835, one of the richest heiresses of the faubourg Saint-Germain, Mademoiselle du Rouvre, the only daughter of the Marquis du Rouvre, married Comte Adam Mitgislas Laginski, a young Polish exile. We ask permission to write these Polish names as they are pronounced, to spare our readers the aspect of the fortifications of consonants by which the Slave language protects its vowels,—probably not to lose them, considering how... more...

INTRODUCTION The highest living authority on French Literature—Professor George Saintsbury—has said: "The Cent Nouvelles is undoubtedly the first work of literary prose in French, and the first, moreover, of a long and most remarkable series of literary works in which French writers may challenge all comers with the certainty of victory. The short prose tale of a comic character is the one French literary product the pre-eminence... more...