To some the eighteenth-century definition of proper poetic matter is unacceptable; but to any who believe that true poetry may (if not "must") consist in "what oft was thought but ne'er so well expressed," Gray's "Churchyard" is a majestic achievement—perhaps (accepting the definition offered) the supreme achievement of its century. Its success, so the great critic of its day thought, lay in its appeal to "the common reader"; and though no...
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