PROEM. Not here in our London Ghetto the gates and gaberdines of the olden Ghetto of the Eternal City; yet no lack of signs external by which one may know it, and those who dwell therein. Its narrow streets have no specialty of architecture; its dirt is not picturesque. It is no longer the stage for the high-buskined tragedy of massacre and martyrdom; only for the obscurer, deeper tragedy that evolves from the pressure of its own inward forces,... more...

FOREWORD Mr. Arthur Davis, in whose memory has been founded the series of Lectures devoted to the fostering of Hebraic thought and learning, of which this is the first, was born in 1846 and died on the first day of Passover, 1906. His childhood was spent in the town of Derby, where there was then no Synagogue or Jewish minister or teacher of Hebrew. Spontaneously he developed a strong Jewish consciousness, and an enthusiasm for the Hebrew... more...

PREFACE This is a Chronicle of Dreamers, who have arisen in the Ghetto from its establishment in the sixteenth century to its slow breaking-up in our own day. Some have become historic in Jewry, others have penetrated to the ken of the greater world and afforded models to illustrious artists in letters, and but for the exigencies of my theme and the faint hope of throwing some new light upon them, I should not have ventured to treat them... more...

CHAPTER I HOW I FOUND THE MODEL I cannot pretend that my ambition to paint the Man of Sorrows had any religious inspiration, though I fear my dear old dad at the Parsonage at first took it as a sign of awakening grace. And yet, as an artist, I have always been loath to draw a line between the spiritual and the beautiful; for I have ever held that the beautiful has in it the same infinite element as forms the essence of religion. But I cannot... more...

OF MURDERS AND MYSTERIES. As this little book was written some four years ago, I feel able to review it without prejudice. A new book just hot from the brain is naturally apt to appear faulty to its begetter, but an old book has got into the proper perspective and may be praised by him without fear or favor. "The Big Bow Mystery" seems to me an excellent murder story, as murder stories go, for, while as sensational as the most of them, it... more...

I They both styled themselves "Madame," but only the younger of the old ladies had been married. Madame Valière was still a demoiselle, but as she drew towards sixty it had seemed more convenable to possess a mature label. Certainly Madame Dépine had no visible matrimonial advantages over her fellow-lodger at the Hôtel des Tourterelles, though in the symmetrical cemetery of Montparnasse (Section 22) wreaths of glass beads... more...

Act I The scene is laid in the living-room of the small home of the Quixanos in the Richmond or non-Jewish borough of New York, about five o'clock of a February afternoon. At centre back is a double street-door giving on a columned veranda in the Colonial style. Nailed on the right-hand door-post gleams a Mezuzah, a tiny metal case, containing a Biblical passage. On the right of the door is a small hat-stand holding Mendel's overcoat, umbrella,... more...

A VISION OF THE BURDEN OF MAN And it came to pass that my soul was vexed with the problems of life, so that I could not sleep. So I opened a book by a lady novelist, and fell to reading therein. And of a sudden I looked up, and lo! a great host of women filled the chamber, which had become as the Albert Hall for magnitude—women of all complexions, countries, times, ages, and sexes. Some were bewitching and beautiful, some wan and... more...