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Showing: 11-18 results of 18

SCENE I. A common apartment in the Castle of Fotheringay.HANNAH KENNEDY, contending violently with PAULET, who is aboutto break open a closet; DRURY with an iron crown.KENNEDY.How now, sir? what fresh outrage have we here?Back from that cabinet!PAULET.Whence came the jewel?I know 'twas from an upper chamber thrown;And you would bribe the gardener with your trinkets.A curse on woman's wiles! In spite of allMy strict precaution and my active... more...

SCENE I. THIBAUT D'ARC. His Three Daughters. Three young Shepherds,their Suitors.THIBAUT.Ay, my good neighbors! we at least to-dayAre Frenchmen still, free citizens and lordsOf the old soil which our forefathers tilled.Who knows whom we to-morrow must obey?For England her triumphal banner wavesFrom every wall: the blooming fields of FranceAre trampled down beneath her chargers' hoofs;Paris hath yielded to her conquering arms,And with the ancient... more...

SCENE I. MILLER—MRS. MILLER. MILLER (walking quickly up and down the room). Once for all! The affair is becoming serious. My daughter and the baron will soon be the town-talk—my house lose its character—the president will get wind of it, and—the short and long of the matter is, I'll show the younker the door. MRS MILLER. You did not entice him to your house—did not thrust your daughter upon him! MILLER. Didn't... more...

The two counts were a few weeks after their arrest conveyed to Ghent under an escort of three thousand Spaniards, where they were confined in the citadel for more than eight months. Their trial commenced in due form before the council of twelve, and the solicitor-general, John Du Bois, conducted the proceedings. The indictment against Egmont consisted of ninety counts, and that against Horn of sixty. It would occupy too much space to introduce... more...

ACT I. SCENE I. A Saloon in FIESCO'S House. The distant sound of dancing andmusic is heard. LEONORA, masked, and attended by ROSA and ARABELLA, enters hastily. LEONORA (tears off her mask). No more! Not another word! 'Tis as clear as day! (Throwing herself in a chair.) This quite overcomes me—— ARABELLA. My lady! LEONORA (rising.) What, before my eyes! with a notorious coquette! In presence of the whole nobility of Genoa!... more...


SCENE I. The Royal Gardens in Aranjuez.CARLOS and DOMINGO.DOMINGO.Our pleasant sojourn in AranjuezIs over now, and yet your highness quitsThese joyous scenes no happier than before.Our visit hath been fruitless. Oh, my prince,Break this mysterious and gloomy silence!Open your heart to your own father's heart!A monarch never can too dearly buyThe peace of his own son—his only son.[CARLOS looks on the ground in silence.Is there one dearest... more...

SCENE I. THE DIET AT CRACOW.On the rising of the curtain the Polish Diet is discovered, seatedin the great senate hall. On a raised platform, elevated by threesteps, and surmounted by a canopy, is the imperial throne, theescutcheons of Poland and Lithuania suspended on each side. The KINGseated upon the throne; on his right and left hand his ten royalofficers standing on the platform. Below the platform the BISHOPS,PALATINES, and CASTELLANS... more...

INTRODUCTION. The special subject of the greater part of the letters and essays of Schiller contained in this volume is Aesthetics; and before passing to any remarks on his treatment of the subject it will be useful to offer a few observations on the nature of this topic, and on its treatment by the philosophical spirit of different ages. First, then, aesthetics has for its object the vast realm of the beautiful, and it may be most adequately... more...