OF "THE NOVEL"    do not intend in these pages to put in a plea for this little novel. On the contrary, the ideas I shall try to set forth will rather involve a criticism of the class of psychological analysis which I have undertaken in Pierre et Jean. I propose to treat of novels in general. I am not the only writer who finds himself taken to task in the same terms each time he brings out a new book. Among many laudatory phrases, I... more...

Count Eustache d'Etchegorry's solitary country house had the appearance of a poor man's home, where people do not have enough to eat every day in the week, where the bottles are more frequently filled at the pump than in the cellar, and where they wait until it is dark before lighting the candles. It was an old and sordid building; the walls were crumbling to pieces, the grated, iron gates were eaten away by rust, the holes in the broken windows... more...

"After all," Count d'Avorsy said, stirring his tea with the slow movements of a prelate, "what truth was there in anything that was said at Court, almost without any restraint, and did the Empress, whose beauty has been ruined by some secret grief, who will no longer see anyone and who soothes her continual mental weariness by some journeys without an object and without a rest, in foggy and melancholy islands, and did she really forget Caesar's... more...

I Little George was making hills of sand in one of the walks; he took it up with both his hands, made it into a pyramid, and then put a chestnut leaf on the top, and his father, sitting on an iron chair was looking at him with concentrated and affectionate attention, and saw nobody but him in that small public garden which was full of people. All along the circular road other children were occupied in the same manner, or else were indulging in... more...

The most robust and masculine of recent French novelists is a typical Norman, sprung from an ancient noble family, originally of Lorraine, but long settled in the Pays de Caux. The traveler from England towards Paris, soon after leaving Dieppe, sees on his left hand, immediately beyond the station of St. Aubin, a handsome sixteenth-century house, the Château de Miromesnil, on a hill above the railway. Here, surrounded by the relics of his... more...

The first aim of art, no doubt, is the representation of things as they are. But then things are as our eyes see them and as our minds make them; and it is thus of primary importance for the critic to distinguish the precise qualities of the eyes and minds which make the world into imaginative literature. Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly... more...

CHAPTER I The landlord, the lady, and Mr. Charles Wogan were all three, it seemed, in luck's way that September morning of the year 1719. Wogan was not surprised, his luck for the moment was altogether in, so that even when his horse stumbled and went lame at a desolate part of the road from Florence to Bologna, he had no doubt but that somehow fortune would serve him. His horse stepped gingerly on for a few yards, stopped, and looked round at... more...

WHEN GOD LAUGHS (with compliments to Harry Cowell) "The gods, the gods are stronger; timeFalls down before them, all men's kneesBow, all men's prayers and sorrows climbLike incense toward them; yea, for theseAre gods, Felise." Carquinez had relaxed finally. He stole a glance at the rattling windows, looked upward at the beamed roof, and listened for a moment to the savage roar of the south-easter as it caught the bungalow in its bellowing jaws.... more...

PREFACE Writing not long ago to my oldest literary friend, I expressed in a moment of heedless sentiment the wish that we might have again one of our talks of long-past days, over the purposes and methods of our art. And my friend, wiser than I, as he has always been, replied with this doubting phrase "Could we recapture the zest of that old time?" I would not like to believe that our faith in the value of imaginative art has diminished, that... more...

A VENERABLE IMPOSTOR. As I glance across my table, I am somewhat distracted by the spectacle of a venerable head whose crown occasionally appears beyond, at about its level. The apparition of a very small hand—whose fingers are bunchy and have the appearance of being slightly webbed—which is frequently lifted above the table in a vain and impotent attempt to reach the inkstand, always affects me as a novelty at each recurrence of the... more...