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Civility is beauty of behaviour. It requires for its perfection patience, self-control, and an environment of leisure. For genuine courtesy is a creation, like pictures, like music. It is a harmonious blending of voice, gesture and movement, words and action, in which generosity of conduct is expressed. It reveals the man himself and has no ulterior purpose. Our needs are always in a hurry. They rush and hustle, they are rude and unceremonious;... more...

INTRODUCTION The history of the evolution of life, incomplete as it yet is, already reveals to us how the intellect has been formed, by an uninterrupted progress, along a line which ascends through the vertebrate series up to man. It shows us in the faculty of understanding an appendage of the faculty of acting, a more and more precise, more and more complex and supple adaptation of the consciousness of living beings to the conditions of... more...

I. THE THREE METAMORPHOSES. Three metamorphoses of the spirit do I designate to you: how the spirit becometh a camel, the camel a lion, and the lion at last a child. Many heavy things are there for the spirit, the strong load-bearing spirit in which reverence dwelleth: for the heavy and the heaviest longeth its strength. What is heavy? so asketh the load-bearing spirit; then kneeleth it down like the camel, and wanteth to be well laden. What... more...

THE Editor begs to call attention to some of the difficulties he had to encounter in preparing this edition of the complete works of Friedrich Nietzsche. Not being English himself, he had to rely upon the help of collaborators, who were somewhat slow in coming forward. They were also few in number; for, in addition to an exact knowledge of the German language, there was also required sympathy and a certain enthusiasm for the startling ideas of... more...

PREFACE In the ensuing volume I have attempted to give a defined and permanent form to a variety of thoughts, which have occurred to my mind in the course of thirty-four years, it being so long since I published a volume, entitled, the Enquirer,—thoughts, which, if they have presented themselves to other men, have, at least so far as I am aware, never been given to the public through the medium of the press. During a part of this period I... more...


INTRODUCTION * **   he long obscurity of the Dark Ages lifted over Italy, awakening to a national though a divided consciousness. Already two distinct tendencies were apparent. The practical and rational, on the one hand, was soon to be outwardly reflected in the burgher-life of Florence and the Lombard cities, while at Rome it had even then created the civil organization of the curia. The novella was its literary triumph. In art it... more...

Religion THE APOCRYPHA Apocrypha is a Greek word, signifying "secret" or "hidden," but in the sixteenth century it came to be applied to a list of books contained in the Septuagint, or Greek translation of the Old Testament, but not in the Palestinian, or Hebrew Canon. Hence, by theological or bibliographic purists, these books were not regarded as genuine Scripture. That view was adopted by the early Greek Church, though the Western Church... more...

PARIS TRANSLATION, First published in this Country by Dixon and Sickels. INVOCATION. Hail, solitary ruins! holy sepulchres, and silent walls! you I invoke; to you I address my prayer. While your aspect averts, with secret terror, the vulgar regard, it excites in my heart the charm of delicious sentiments—sublime contemplations. What useful lessons! what affecting and profound reflections you suggest to him who knows how to consult you.... more...

CHAPTER I.THE BEARING OF THE LAWS OF MIND ON RELIGION. The Science of Religion is one of the branches of general historical science. It embraces, as the domain of its investigation, all recorded facts relating to the displays of the Religious Sentiment. Its limits are defined by those facts, and the legitimate inferences from them. Its aim is to ascertain the constitutive laws of the origin and spread of religions, and to depict the influence... more...

THE PREFACE The artist is the creator of beautiful things.To reveal art and conceal the artist is art's aim.The critic is he who can translate into another manner or a new material his impression of beautiful things.The highest, as the lowest, form of criticismis a mode of autobiography.Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault.Those who find beautiful meanings inbeautiful things are the... more...