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I. When we try to picture to ourselves the intellectual and moral state of Europe in the Middle Ages, some fixed and almost stereotyped ideas immediately suggest themselves. We think of the nations immersed in a gross mental lethargy; passively witnessing the gradual extinction of arts and sciences which Greece and Rome had splendidly inaugurated; allowing libraries and monuments of antique civilisation to crumble into dust; while they trembled... more...

CHAPTER I. AS IT WAS IN THE BEGINNING. "The Organ breathes its deep-voiced solemn notes,The people join and sing, in pious hymnsAnd psalms devout; harmoniously attun'd,The Choral voices blend; the long-drawn aislesAt every close the ling'ring strains prolong:And now, of varied tubes and reedy pipes,The skilful hand a soften'd stop controuls:In sweetest harmony the dulcet strains steal forth,Now swelling high, and now subdued; afar they floatIn... more...

APOLOGIA IT may reasonably be asked by what authority a mere landsman publishes a book on a nautical subject. I may, therefore, plead in extenuation that I have all my life been closely connected with seafaring matters, especially during childhood and youth, and have literally 'grown up with' shanties. My maternal ancestors followed the sea as far back as the family history can be traced, and sailor uncles and grand-uncles have sung shanties to... more...

COWBOY YARNS The centipede runs across my head,The vinegaroon crawls in my bed,Tarantulas jump and scorpions play,The broncs are grazing far away,The rattlesnake gives his warning cry,And the coyotes sing their lullaby,While I sleep soundly beneath the sky. OUT WHERE THE WEST BEGINS OUT where the handclasp's a little stronger,Out where the smile dwells a little longer,That's where the West begins;Out where the sun is a... more...

DESCRIPTION OF FRONTISPIECE     [I am indebted for the arrangement of this picture to the kindness of the authorities at South Kensington Museum, where all these instruments may be found, except the Pipe and Cornet, which belong to my friend, Mr W.F.H. Blandford.] In the middle, on table. Queen Elizabeth's 'Virginal.' Date, latter half of 16th century. Outside of case (not visible in picture) covered with red velvet. Inside... more...


PREFACE The study of music notation and terminology by classes in conservatories and in music departments of colleges and normal schools is a comparative innovation, one reason for the non-existence of such courses in the past being the lack of a suitable text-book, in which might be found in related groups clear and accurate definitions of the really essential terms. But with the constantly increasing interest in music study (both private and... more...

My Dear Young Friends, Whom I am constrained to love and honour by many Obligations. It was the generous and condescending Friendship of your Parents under my weak Circumstances of Health, that brought me to their Country-Seat for the Benefit of the Air; but it was an Instance of most uncommon Kindness, to supply me there so chearfully for two Years of Sickness with the richest Conveniences of Life. Such a Favour requires my most affectionate... more...

by Various
INTRODUCTION It is now four or five years since my attention was called to the collection of native American ballads from the Southwest, already begun by Professor Lomax. At that time, he seemed hardly to appreciate their full value and importance. To my colleague, Professor G.L. Kittredge, probably the most eminent authority on folk-song in America, this value and importance appeared as indubitable as it appeared to me. We heartily joined in... more...

By Sir John Burtonhead. [Listen]   LL Christians and Lay-Elders too,For Shame amend your Lives;I’ll tell you of a Dog-trick now,Which much concerns you Wives:An Elder’s Maid near Temple-Bar,(Ah! what a Quean was she?)Did take an ugly Mastiff Cur,Where Christians use to be.Help House of Commons, House of Peers,Oh now or never help!Th’ Assembly hath not sat Four Years,Yet hath brought forth a Whelp.One Evening late she... more...

EUGÈNE YSAYE THE TOOLS OF VIOLIN MASTERY Who is there among contemporary masters of the violin whose name stands for more at the present time than that of the great Belgian artist, his "extraordinary temperamental power as an interpreter" enhanced by a hundred and one special gifts of tone and technic, gifts often alluded to by his admiring colleagues? For Ysaye is the greatest exponent of that wonderful Belgian school of violin playing... more...