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DIARY OF AN ENNUYÉE. Calais, June 21.—What young lady, travelling for the first time on the Continent, does not write a "Diary?" No sooner have we slept on the shores of France—no sooner are we seated in the gay salon at Dessin's, than we call, like Biddy Fudge, for "French pens and French ink," and forth steps from its case the morocco-bound diary, regularly ruled and paged, with its patent Bramah lock and key, wherein we... more...

A BALLADE OF ART COLLECTORS Oh Lord! We are the covetous.  Our neighbours' goods afflict us sore.From Frisco to the Bosphorus  All sightly stuff, the less the more,We want it in our hoard and store.  Nor sacrilege doth us appal—Egyptian vault—fane at Cawnpore—  Collector folk are sinners all. Our envoys plot in partibus.  They've small regard for chancel door,Or Buddhist bolts... more...

THIS exhibition has been arranged with a desire to meet the convenience of those who are interested in manifestations of the arts of different countries over which Islam held sway at one time or other in the past. An effort has been made to show under one roof representative examples of works produced at different epochs and stages of the civilizations referred to, so that they may be seen, and perhaps studied, with the minimum expenditure of... more...

ABOUT CENSORSHIP Since, time and again, it has been proved, in this country of free institutions, that the great majority of our fellow-countrymen consider the only Censorship that now obtains amongst us, namely the Censorship of Plays, a bulwark for the preservation of their comfort and sensibility against the spiritual researches and speculations of bolder and too active spirits—it has become time to consider whether we should not... more...

THE STORY OF STEAM That which was utterly unknown to the most splendid civilizations of the past is in our time the chief power of civilization, daily engaged in making that history of a new era that is yet to be written in words. It has been demonstrated long since that men's lives are to be influenced not by theory, or belief, or argument and reason, so much as by that course of daily life which is not attempted to be governed by argument and... more...


INTRODUCTORY So far as it concerns pictures painted upon panel or canvas in tempera or oils, the history of painting begins with Cimabue, who worked in Florence during the latter half of the thirteenth century. That the art was practised in much earlier times may readily be admitted, and the life-like portraits in the vestibule at the National Gallery taken from Greek tombs of the second or third century are sufficient proofs of it; but for the... more...

SINCE CÉZANNE With anyone who concludes that this preliminary essay is merely to justify the rather appetizing title of my book I shall be at no pains to quarrel. If privately I think it does more, publicly I shall not avow it. Historically and critically, I admit, the thing is as slight as a sketch contained in five-and-thirty pages must be, and certainly it adds nothing to what I have said, in the essays to which it stands preface, on... more...

THE GOOD OLD TIMES. It is recorded of John Lowin, an actor contemporary with Shakespeare and associated with several of Shakespeare's greater characters (his range was so wide, indeed, that it included Falstaff, Henry the Eighth, and Hamlet), that, having survived the halcyon days of "Eliza and our James" and lingered into the drab and russet period of the Puritans, when all the theatres in the British islands were suppressed, he became poor and... more...

INTRODUCTION It is a happy memory that associates the foundation of our Royal Academy with the delivery of these inaugural discourses by Sir Joshua Reynolds, on the opening of the schools, and at the first annual meetings for the distribution of its prizes.  They laid down principles of art from the point of view of a man of genius who had made his power felt, and with the clear good sense which is the foundation of all work that looks... more...

Introduction Two conflicting tendencies in Ruskin. It is distinctive of the nineteenth century that in its passion for criticising everything in heaven and earth it by no means spared to criticise itself. Alike in Carlyle's fulminations against its insincerity, in Arnold's nice ridicule of Philistinism, and in Ruskin's repudiation of everything modern, we detect that fine dissatisfaction with the age which is perhaps only proof of its... more...