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Showing: 1-10 results of 17

ARTICLE I. Of the great Merits of Vitruvius, and the Excellencies of his Works. here are so many things in the Works of Vitruvius that do not directly appertain to Architecture, that one would think they were less fitted to Instruct those that have a design to learn the Precepts of this Art, than to perswade the World that the Author was the most knowing Architect that ever was, and a Person of the greatest Merit: He had the Honour to serve... more...

BEFORE quitting England for a first visit to Spain in the Autumn of 1869, I made up my mind both to see and draw as much of the Architectural remains of that country as the time and means at my disposal would permit; and further determined so to draw as to admit of the publication of my sketches and portions of my notes on the objects represented, in the precise form in which they might be made. I was influenced in that determination by the... more...

PREFACE. An artist, engaged in the illustration of the Architectural Antiquities of England, could scarcely do otherwise than often cast a wistful look towards the opposite shores of Normandy; and such would particularly be the case, if, like Mr. Cotman, to a strong attachment to his profession and the subject, he should chance to add a residence in Norfolk. This portion of the kingdom of the East-Angles, in its language and in its customs, but... more...

I BEFORE THE WAR The world war represents not the triumph, but the birth of democracy. The true ideal of democracy—the rule of a people by the demos, or group soul—is a thing unrealized. How then is it possible to consider or discuss an architecture of democracy—the shadow of a shade? It is not possible to do so with any degree of finality, but by an intention of consciousness upon this juxtaposition of... more...

LETTER I. From the Architect. EVERY MAN SHOULD HAVE A HOME.   My Dear John: Now that your "ship" is at last approaching the harbor, I am confident your first demonstration in honor of its arrival will be building yourself a house; exchanging your charmingly good-for-nothing air-castle for an actual flesh-and-blood, matter-of-fact dwelling-house, two-storied and French-roofed it may be, with all the modern improvements. In many... more...


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INTRODUCTORY. The lover of country life who looks upon rural objects in the true spirit, and, for the first time surveys the cultivated portions of the United States, will be struck with the incongruous appearance and style of our farm houses and their contiguous buildings; and, although, on examination, he will find many, that in their interior accommodation, and perhaps relative arrangement to each other, are tolerably suited to the business... more...

I THE ART OF ARCHITECTURE One of the advantages of a thorough assimilation of what may be called the theosophic idea is that it can be applied with advantage to every department of knowledge and of human activity: like the key to a cryptogram it renders clear and simple that which before seemed intricate and obscure. Let us apply this key to the subject of art, and to the art of architecture in particular, and see if by so doing we may not... more...

Foreword So many books have been published which are devoted wholly or in part to the fine old Colonial residences and public buildings of Philadelphia, including Germantown, that it might seem almost the part of temerity to suppose there could be a place for another one. A survey of the entire list, however, discloses the fact that almost without exception these books are devoted primarily to a picture of the city in Colonial times, to the... more...

CHAPTER I. A WISE FATHER AND A GLAD SON-IN-LAW. mong the wedding-presents was a small white envelope containing two smaller slips of paper. On one of these, which was folded around the other, was written, "A New House, From Father." The enclosed slip was a bank-check, duly stamped and endorsed. Did any old wizard's magic-box ever hold greater promise in smaller compass! Certainly not more than the bride saw in imagination as she read the... more...