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Showing: 11-20 results of 45

DARSIE LATIMER TO ALAN FAIRFORD DUMFRIES. CUR ME EXANIMAS QUERELIS TUIS? In plain English, Why do you deafen me with your croaking? The disconsolate tone in which you bade me farewell at Noble House, [The first stage on the road from Edinburgh to Dumfries via Moffat.] and mounted your miserable hack to return to your law drudgery, still sounds in my ears. It seemed to say, 'Happy dog! you can ramble at pleasure over hill and dale, pursue every... more...

CHAPTER FIRST. How have I sinn'd, that this afflictionShould light so heavy on me? I have no more sons,And this no more mine own.—My grand curseHang o'er his head that thus transformed thee!—Travel? I'll send my horse to travel next.Monsieur Thomas. You have requested me, my dear friend, to bestow some of that leisure, with which Providence has blessed the decline of my life, in registering the hazards and difficulties which... more...

INTRODUCTION—-(1829) When the author projected this further encroachment on the patience of an indulgent public, he was at some loss for a title; a good name being very nearly of as much consequence in literature as in life. The title of Rob Roy was suggested by the late Mr. Constable, whose sagacity and experience foresaw the germ of popularity which it included. No introduction can be more appropriate to the work than some account of... more...

CHAPTER FIRST And hurry, hurry, off they rode,As fast as fast might be;Hurra, hurra, the dead can ride,Dost fear to ride with me?Burger. There is one advantage in an accumulation of evils, differing in cause and character, that the distraction which they afford by their contradictory operation prevents the patient from being overwhelmed under either. I was deeply grieved at my separation from Miss Vernon, yet not so much so as I should have... more...

“‘St. Ronan's Well’ is not so much my favourite as certain of its predecessors,” Lady Louisa Stuart wrote to Scott on March 26, 1824. “Yet still I see the author's hand in it, et c'est tout dire. Meg Dods, the meeting” (vol. i. chap. ix.), “and the last scene between Clara and her brother, are marked with the true stamp, not to be matched or mistaken. Is the Siege of Ptolemais really on the anvil?”... more...


CHAPTER FIRST. Go call a coach, and let a coach be called,And let the man who calleth be the caller;And in his calling let him nothing call,But Coach! Coach! Coach! O for a coach, ye gods!Chrononhotonthologos. It was early on a fine summer's day, near the end of the eighteenth century, when a young man, of genteel appearance, journeying towards the north-east of Scotland, provided himself with a ticket in one of those public carriages which... more...

INTRODUCTION The present work completes a series of fictitious narratives, intended to illustrate the manners of Scotland at three different periods. Waverley embraced the age of our fathers, Guy Mannering that of our own youth, and the Antiquary refers to the last ten years of the eighteenth century. I have, in the two last narratives especially, sought my principal personages in the class of society who are the last to feel the influence of... more...

CHAPTER FIRST. Wiser Raymondus, in his closet pent,Laughs at such danger and adventurementWhen half his lands are spent in golden smoke,And now his second hopeful glasse is broke,But yet, if haply his third furnace hold,Devoteth all his pots and pans to gold.* * The author cannot remember where these lines are to be found: perhaps in Bishop Hall's Satires. [They occur in Book iv. Satire iii.] About a week after the adventures commemorated in... more...

INTRODUCTION. As I may, without vanity, presume that the name and official description prefixed to this Proem will secure it, from the sedate and reflecting part of mankind, to whom only I would be understood to address myself, such attention as is due to the sedulous instructor of youth, and the careful performer of my Sabbath duties, I will forbear to hold up a candle to the daylight, or to point out to the judicious those recommendations of... more...

INTRODUCTION TO THE BRIDE OF LAMMERMOOR THE Author, on a former occasion, declined giving the real source from which he drew the tragic subject of this history, because, though occurring at a distant period, it might possibly be unpleasing to the feelings of the descendants of the parties. But as he finds an account of the circumstances given in the Notes to Law's Memorials, by his ingenious friend, Charles Kirkpatrick Sharpe, Esq., and also... more...