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SINCE CÉZANNE With anyone who concludes that this preliminary essay is merely to justify the rather appetizing title of my book I shall be at no pains to quarrel. If privately I think it does more, publicly I shall not avow it. Historically and critically, I admit, the thing is as slight as a sketch contained in five-and-thirty pages must be, and certainly it adds nothing to what I have said, in the essays to which it stands preface, on... more...

FOREWORD Dear Geoffrey Whitworth,—Considering for how many ages how many clever people have been complaining of their publishers, you might have supposed that no device for getting one of them into a scrape could have been left untried. Yet, so far as I can remember, no author has had the bright idea of denouncing his publisher, particularly, and by name, as accessory before the fact. I am willing to suspect my memory rather than my... more...

Art

I THE AESTHETIC HYPOTHESIS It is improbable that more nonsense has been written about aesthetics than about anything else: the literature of the subject is not large enough for that. It is certain, however, that about no subject with which I am acquainted has so little been said that is at all to the purpose. The explanation is discoverable. He who would elaborate a plausible theory of aesthetics must possess two qualities—artistic... more...