CHAPTER ONE PLAYING PILGRIMS "Christmas won't be Christmas without any presents," grumbled Jo, lying on the rug. "It's so dreadful to be poor!" sighed Meg, looking down at her old dress. "I don't think it's fair for some girls to have plenty of pretty things, and other girls nothing at all," added little Amy, with an injured sniff. "We've got Father and Mother, and each other," said Beth contentedly from her corner. The four young faces on... more...

TWO ASPECTS OF LITERARY STUDY. Such a study of Literature as that for which the present book is designed includes two purposes, contributing to a common end. In the first place (I), the student must gain some general knowledge of the conditions out of which English literature has come into being, as a whole and during its successive periods, that is of the external facts of one sort or another without which it cannot be understood. This means... more...

INTRODUCTION The publishing history of this translation has been sketched by Cross, in his History of Henry Fielding, and may simply be summarized here. The first edition, entitled Ovid's Art of Love Paraphrased and Adapted to the Present Time (or Times) was first issued in February, 1747, and was advertised in the Gentleman's and Scots Magazines in that month. During March, further advertisements appeared in the London Magazine and the St.... more...

ADVERTISEMENT. The present edition is an exact reproduction of that edited by my father, with my great-uncle's final corrections, and published by Mr. John Murray in 1859. Several reprints of that edition have testified to the continued popularity of the work, and the necessity for the present issue shows that an acquaintance of nearly half a century has not yet wearied the public of the standard translation of the Thousand and One Nights. The... more...

"If you will allow me, I shall have the pleasure of reading aloud to you some passages from 'Mrs. Lirriper's Lodgings,' by Charles Dickens. I do not know much about the book myself, as I have never read it. I dare say that you know more about it than I do; but I am given to understand" (with a glance at the page before him) "that Mrs. Lirriper was a lodging-house-keeper, that she kept lodgings in London. She was a very good sort of woman, I... more...

CHAPTER I ADVICE "You ought to get married, Miss Sylvia," said old Jeffcott, the head gardener, with a wag of his hoary beard. "You'll need to be your own mistress now." "I should hope I am that anyway," said, Sylvia with a little laugh. She stood in the great vinery—a vivid picture against a background of clustering purple fruit. The sunset glinted on her tawny hair. Her red-brown eyes, set wide apart, held a curious look, half... more...

An Examination of Sir William Hamilton's Philosophy, and of the Principal Philosophical Questions discussed in his Writings. By JOHN STUART MILL. London: Longmans. 1865. The work bearing the above title is an octavo volume, consisting of twenty-eight chapters, and five hundred and sixty pages. This is no great amount of print; but the amount of matter contained in it is prodigious, and the quality of that matter such as to require a full stretch... more...

The happiness of some lives is distributed pretty evenly over the whole stretch from the cradle to the grave, while that of others comes all at once, glorifying some particular epoch and leaving the rest in shadow. During one, five, or ten blithe years, as the case may be, all the springs of life send up sweet waters; joy is in the very air we breathe; happiness seems our native element. During this period we know what is the zest of living, as... more...

I FATHER PAYNE It was a good many years ago, soon after I left Oxford, when I was twenty-three years old, that all this happened. I had taken a degree in Classics, and I had not given much thought to my future profession. There was no very obvious opening for me, no family business, no influence in any particular direction. My father had been in the Army, but was long dead. My mother and only sister lived quietly in the country. I had no... more...

Foreword       Anyone who examinesthe Zen arts is immediately struck by how modern they seem. Many of the most famous stone gardens are abstract expressionism pure and simple, created out of found objects. The ceramics of the sixteenth-century Zen artists could be interchanged with the rugged pots of our own contemporary crafts movement and few people would notice a difference. Ancient Zen calligraphies, bold and slashing,... more...